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What can be taught by Poland’s ‘ghost election’ about pandemic era democracy
No, this is not the United States. This dynamic takes place in Poland, which is scheduled to hold a presidential election earlier this month. Concerns about the virus and protracted partisan setbacks caused delays, last-minute mess – and for the remnants of uncertainty about when and how new elections will take place.
But while there are no guidelines for safe and fair elections during the coronavirus crisis, Poland’s experience offers several important lessons for other countries that navigate these questions, including the US: Doing this means planning as early as possible – and somehow finding ways to set aside political alignments to produce a voting plan that everyone believes is fair.
In Poland, political polarization is at the heart of why the situation turns into uncertainty – and why the debate about new elections may be almost as difficult as what will happen on 10 May. Even if it is possible organizationally it is possible for Poland. to move at the last minute to a ballot by mail, the ability to prepare for elections effectively doesn’t mean much if you can’t find a political consensus on how to do it.
When no party trusts the other party to act in the best interests of citizens, it affects the way people view their democracy. And this “greatly influences trust in electoral institutions,” said Zselyke Csaky, director of research for Europe and Eurasia at the Freedom House democracy watchdog. “That is a very serious concern, because it is one of the most important elements of a functioning democracy.”
All of this could have been avoided if the PiS politicians had proposed constitutional provisions called “natural disaster conditions,” which under conditions such as a pandemic would automatically postpone elections for at least 90 days. But once the PiS leaders insisted the election was carried out according to schedule, they did not want to back off and change direction – even when leaked ballots and ballots appeared on the road asserting that the selection of papers was not ready.
But those on the opposition still have great concern about the inherent benefits that Duda will receive as incumbent, and about the PiS’s willingness to give the scales as he wishes wherever they can.
“There is a greater likelihood that elections will be free, but they will not be free in terms of an equal campaign,” said Milosz Hodun, an adviser to the liberal Nowoczesna (“Modern”) party, which is part of the Community Coalition. “Only the president can campaign throughout the country … all other candidates are limited to the presence of the media and online.”
The US also faces a deep political polarization that is increasingly exacerbated by this pandemic; President Trump has pitted himself against governors – especially Democrats – who have imposed stronger restrictions on fighting the virus, using his bully pulpit to call for the country to reopen as soon as possible. With each country responsible for setting its own election rules and regulations before the national elections in November, the debate over letters compared to direct voting, and access given by each country, is likely to fall along partisan lines; like Poland, this might also mean that every change only applies at the last minute.
Polish observers hope their country has learned from the failure of “ghost” elections – and that the country can immediately hold elections that run better and fairer than those that did not happen earlier this month. Others, especially the US, must pay attention as they do.
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Portuguese historical films will premiere on 29 December.
Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.
A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.
“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.
Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.
“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.
“Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.
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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’
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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.
Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.
According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”
In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.
The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.
In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.
From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.
Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.
“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.
“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.
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