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The only regret for the Knicks from Patrick Ewing is not knowing that everything is over



The only regret for the Knicks from Patrick Ewing is not knowing that everything is over

Years later, Patrick Ewing would sit next to a long oak table in the corner of the Georgetown basketball office. He spoke with great enthusiasm for his present passion, training his alma mater. He talked about the difficulty of folding in the trunk of the storage of all the memories he saved as a player.

“My life is a coach now,” he said, laughing. “Nobody wants to hear me tell old war stories. These people [he pointed toward the Hoyas’ practice gym] just want to fool me about how short my shorts are when I play here. “

There is testimony to support Ewing’s words; Georgetown is a Nike school, and that means there is an Air Jordan logo on his shirt, and his sweatpants, and the jacket he wears to the office, there is a large silhouette of Michael Jordan as the flight is dominating one wall.

“I can’t avoid it,” he said, laughing. “But business is business.”

Even so, Ewing admitted only one regret that occasionally slipped from the locked memory boxes, which were still eating it.

“I wish I knew I was playing my last game as Knick when I played it,” he said. “I want to take some mental pictures about it.”

The smile grew melancholy.

“What I know is that the season ends with losses,” he said. “Again.”

He was injured again in the spring of 2000, because that was Ewing’s image as a Trinkets in the end: limping, limping, squinting, wrapped in ice, vulnerable on the trainer’s desk, tending to emerge from the Garden tunnel in a high place. – End the business suit like when warming up.

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Patrick Ewing sat in the dressing room after the Knicks lost to Pacers in the 2000 Eastern Conference Finals.The AP

In 1998, he broke his right wrist, spending most of the year. In ’99, an Achilles bum robbed him from the last four Eastern Conference finals with Indiana, and all the Finals against San Antonio.

This time, it was tendinitis in his right leg. It flared up during the Knicks’ opening round of the Raptors, limiting their effectiveness during their seven annual war games with the Heat (although he got 20 points and 10 rebounds during a win, 7, game, win, dirty, 83-82 Game 7 win. In Miami ).

But against Pacers in the Eastern finals he injured himself early in Game 2, skipped Game 3 and 4 (both narrowly won the Knicks) and returned to help risk the Knicks to lead 18 points at Conseco Fieldhouse in Game 5 before the Pacers stormed back to win and crawl in the game of snatching Final.

On the morning of June 2, 2000, Post readers were greeted with an annual ritual this spring on page 1:


Ewing guaranteed the Knicks victory tonight

Sometimes it’s hard to remember how the Knicks were used to refresh the city. They haven’t won the title as a group, but they are the hardest in sports; Pacers learned that the hard way the previous year. There was little doubt that they would take care of business that night, then engage in some kind of epic passionate game two days later back at Indy.

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“I think it will only be one of those series for us,” Ewing said at the time. “This team is developing into difficulties. We will win. “

They did not win. They came out inspired for a quarter, allowing 19,763 in attendance to believe, but then the Pacers drove them out of court. Reggie Miller scored 34, a 5-for-7 shot out of 3. Dale Davis scored 16 rebounds. Final 93-80 but feels far, far worse. Indiana, Mark Jackson kisses Park floor in the last bell.

Ewing played 37 minutes in misery, scoring 18 points, winning 12 rebounds. When he was pulled at the end of the match, there was a bit of a commotion from the remnants of the crowd. As he walked towards the tunnel, he saw a familiar face working for the team for each of 1,174 matches he played as Knick.

“You are still that man,” he said to Ewing.

“No,” Ewing said, smiling, “no more.”

“You will still get your ring,” he said.

“I hope so,” he said, disappearing into the darkness, into the dressing room, where he would soon greet reporters in a familiar blue terrycloth robe, his feet buried in a dueling ice bucket, where he was immediately asked if he would become like that . back for the last year of his $ 16 million contract.

“I will,” he said.

She does not. That will take 110 days, but on September 20, the Knicks sent Ewing to Seattle on a four-team agreement which, in the near future, produced Glen Rice, Luc Longley and Travis Knight – and in the long run locked them in salary. close the jail where they languished for almost a decade. Ewing survived another two years, never looking right in the tacky colors of Sonics or Orlando Magic.

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Never got the ring. Or the last chapter he really wants.

In his office in Georgetown that Friday in October 2018 Patrick Ewing – who recently revealed that he had been treated for COVID-19 – reaffirmed what he said on the night of February 28, 2003, at Madison Square Garden, when his number, 33, was officially appointed to the rafters of Garden, taking the right place among the franchise giants.

“I’m a Knick,” he said. “I will always be a Knick.”

Twenty years ago Tuesday, without realizing it, he said goodbye to the chapter of his life. He hoped it could be different. He is not alone.

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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