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The Louvre will open an exhibition of 15 pieces of the Portuguese Renaissance from the MNAA – Observador

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The Louvre will open an exhibition of 15 pieces of the Portuguese Renaissance from the MNAA - Observador

In 2022, the Louvre in Paris will host an exhibition on ancient Portuguese painting, featuring 15 works from the National Museum of Ancient Art in Lisbon, a source from the French institution told Lusa on Tuesday.

The exhibition will be held between June 10 and September 10, in the Richelieu wing of the Louvre, the most visited in the world.

The exhibition, which takes place as part of the season of the crusades of Portugal and France, cultural diplomacy between the two countries, will present about 15 paintings donated by the Are Antiga National Museum (MNAA) in Lisbon through partnership.

Very rarely represented or even identified in French museums, Portuguese painting deserves wider recognition: this presentation of fifteen very good quality painted panels donated by MNAA will be a revelation to the French public, ”the Louvre text stresses. at the exhibition, sent to Lusa agency.

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Commissioned by Charlotte Chastel-Rousseau, curator of the painting department of the Museum of Paris – the largest art museum in the world, located in a historical monument of Paris – the exhibition is based on the scientific collaboration of this department and the Portuguese museum.

Visitors to the Louvre “will be able to discover exquisite and wonderfully executed paintings” by artists such as Nuno Gonçalves (active 1450 – until 1492), Jorge Afonso (active 1504-1540), Cristovan de Figueiredo (active 1515-1554) and Gregorio López (active 1513-1550) promotes the museum.

From the 1930 exhibition at Jeu de Paume in Paris on the Portuguese art of the discovery period, and from the most recent exhibitions in France (“Sun and Shadows: Portuguese Art of the 19th Century” in Paris, at the Musée du Petit Palais, in 1987, and Rouge et Or. Trésors du Portugal Baroque “, also in the capital of Paris, at the Museum Jacquemard-André, in 2001), which”this privileged period of the Portuguese Renaissance did not fit, still remembers the French museum.

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“Carrying out a very original synthesis of the pictorial inventions of the first Italian Renaissance and Flemish innovations imported by artists such as Jan Van Eyck, who stayed in Portugal from 1428-1429, the Portuguese school of painting took root from the mid-fifteenth century, in parallel with the enormous expansion of the Kingdom of Portugal.… Under the patronage of the kings D. Manuel I (1495-1521) and D. João III (1521-1557), who surrounded themselves with court artists and commissioned numerous altars, Portuguese painting experienced in the first half of the 16th century. a golden age, before it was overshadowed by the crisis of the Portuguese throne in 1580 and the annexation of Portugal by the Spanish crown, ”notes the Louvre as a historical basis in the text about this exhibition of Portuguese painting.

In this museum, the acquisition of some paintings, “in particular thanks to the generosity of donors, allowed us to begin sketching the history of this school with a small nucleus of four Portuguese paintings dating from the 15th-18th centuries”, the museum recalls that it contains about 38 thousand items from prehistoric times until the 21st century, exhibited on an area of ​​72,735 square meters.

The painting department also states in a document sent to Lusa that it wants to “continue to add to this collection. [de pinturas portuguesas]in accordance with the Louvre’s universal vocation and the requirement to offer the most complete panorama of European painting. “

The duration of this “dossier exhibition will also provide an opportunity to make famous the Portuguese paintings represented more widely in Franceas part of a project to identify Iberian paintings from French public collections, ”says the same source at the museum, which was visited by 9.6 million people in 2019.

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The exhibition is part of the France-Portugal cruzade season program, a cultural diplomacy initiative created with the aim of deepening relations between the two countries and which will run from February to October 2022 with exhibitions, shows and other events. events curated by director Emmanuel Demarcy-Mota, together with Manuela Judice and Victoire Bigedine Di Rosa, at the general commission.

Established in 1884, the MNAA has held the country’s most current public collection in the fields of painting, sculpture, decorative arts – Portuguese, European and expansionist – since Middle Ages to 19th century, including the largest number of pieces classified as “national treasures”, as well as the largest collection of Portuguese furniture.

The collection includes, in various fields, some reference works of the world’s artistic heritage, namely the Panels of San Vicente by Nuno Gonçalves, a masterpiece of 15th century European painting.

It also houses the Custodia of Belém, a piece of jewelery by Gilles Vicente carved by King Manuel I from 1506, and Namban screens from the late 16th century, documenting the presence of the Portuguese in Japan.

The triptych “The Temptations of St. Anthony” by Hieronymus Bosch, “St. Augustine” by Piero della Francesca, “Conversation” by Pietra de Hoja and “St. Jerome” by Albrecht Durer are some of the most famous works from the museum.

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Portuguese historical films will premiere on 29 December.

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Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS 'There will be room'

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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