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MLB 2.0 spring training, without the usual fun, like no other

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MLB 2.0 spring training, without the usual fun, like no other

Usually, these days are sleepy, routine formalities, equivalent to adults returning to school after a long summer vacation. The players flow into Port St. Lucie on the east coast of Florida, and on to Tampa on the west, they showed off their new ride, they reunited with old teammates, introduced themselves to new ones.

One of the early advantages of spring training was the manager’s parting speech. All of this is always composed of the same text, of course, the Cactus League or the Grapefruit League, in places that sound like spring: Bradenton and Lakeland, Sarasota and Surprise, Goodyear and Glendale.

This is always the business of Stengel-meet-Saban, Leyland-meet-Leahy: managers as football coaches, deliver their message in front of a group of passionate soccer players, all eager to sweat for the first time.

It all consisted of a spring training rug – each team, every year, would return not only a century but to the previous one, rituals and rituals as much as part of the sports calendar as anything and unique in one respect: no scoreboard installed, no winners, no losers. Only the arrival of annual baseball, in winter, always feels like a victory, for everyone.

Yankee StadiumAnthony J. Causi

We have a little idea of ​​what jumbled training Spring 2.0 is, because we all learn that quickly, every day, every hour. This time, the players arrived with masks covering their faces, and their greetings were far different, because the tenor of each conversation was different now.

Nothing resembled the physical assembly lines they passed in the spring, an examination that was 99 percent of the time showed nothing out of the ordinary; now they have tests, saliva and blood work, and their sport wrestles with what would be considered collateral damage – 5 percent positive test for corona virus? 15? 20? – and what number is considered too high to continue?

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Manager? They will be more Fauci than Rockne, delivering their message in a wave of careful social responsibility, two and three and four of them, as many times as needed, when the baseball team thinks of complicated mathematics that allows 50 to 60 players to prepare for the baseball season appropriately . on a single diamond when there are usually six and seven in easy access.

And no one waits for good summer sweat, not when we are still taught what each of these drops might say.

We are all making this up right now, even when sport follows the rules and protocols listed in the book that feel longer than “The Power Broker.”

“I know this will be a challenge,” Yankees manager Aaron Boone said on Wednesday, his first public comment since he and other club members were forced to leave Tampa almost four months ago and await the first wave of danger.

“Things will happen every day that will make it more challenging than usual. Our job is to get ready, try to sort things out, make a joint plan, how we want to attack the buildup for three weeks this season.”

Boone’s words echoed Mets GM Brodie Van Wagenen a few days ago, when he talked about the strange duality of focusing on the work he was working while also understanding it had become, at least for now, a very different job description.

“We are trying to lay the groundwork for winning the championship,” Boone said. “My job, my focus for the next few days is to lay that foundation and get our people in the best position to be successful.”

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There is, no doubt, a little comfort in hearing words like this, reminding that if everything goes well there will be a baseball game that counts in a few weeks, an opportunity to debate changes in pitching and formation again – even if the discussion will come through Zoom or cellphone, rather than around a water cooler or in a faucet room.

But there is also “Jaw” music that plays quietly in the background too. This is part of our daily soundtrack now, every time we refresh our news feed and see figures from distant regions painting graffiti in all our best wishes. And it will be like the results of spring 2.0 training: daily training, daily checks, looking to see who played that day and who didn’t, filtering out the hard data, wondering if it won’t reach July 23, wondering how deep from that it might continue unchecked.

“The reason we’re here,” Boone the captain said, “hasn’t changed.”

But Boone’s father of four, Boone who survived heart surgery, he certainly knew that the situation was definitely there.

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Portuguese historical films will premiere on 29 December.

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Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS 'There will be room'

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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