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Giants will need this young edge hunter to improve it



Giants will need this young edge hunter to improve it

Part seven in the series analyzes the New York Giants.

Forget it.

Forget listening to the days of Michael Strahan, Osi Umenyiora, Justin Tuck and Jason Pierre-Paul when it comes to trying to find out how today’s Giants will get after the opposing quarterback. Passing his terrifying operation was based on beating the man on the front lines and energizing or flying into the offensive back line triggering Super Bowl wins after the 2007 and 2011 seasons. It’s now, and the Giants are trying to rebuild what has become an almost dead defense without the power of stars roaring from the edge.

Time certainly does not run out on Lorenzo Carter but the meter is almost over and the ticket man approaches the car parked by Carter. He looks like that and often he does something on the field that makes you think he can be what the Giants want him to be. He is the third round pick in 2018 and this is the type of pick and type of player that is too often done by this franchise. DaMontre Moore and Owa Odighizuwa come to mind.

Lorenzo Carter
Lorenzo CarterRobert Sabo

Carter has great size, long arms and more than enough athletic ability to produce a versatile outside midfielder. He has four sacks as a rookie and 4.5 last season and the time to step forward is now. He can provide protection – the wingspan helps – and he can catch up on the run. Will he develop into a double-digit sack man? Giants need it at least close to. Carter is friendly, with diverse interests in art and as a musician. He insisted there was a fire inside him to become a dominant player. The fire must come out this season.

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Oshane Ximines like Moore, Odighizuwa and Carter in that he is a mid-round draft pick taken for the pass-rush skills he showed in college. Ximines does it as a lower level – Old Dominion – and adjustments to the biggest leagues are expected. Ximines has 4.5 sacks as a beginner and it arouses everyone’s taste. Giants rely on their development, like Carter, a prospect that grows at home, which organizations must rely on to make a difference.

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Entering into a free agency for Kyler Fackrell is more than just an answer, but less than a bona fide answer. Fackrell has 16.5 career sacks and 10.5 of them came in 2018 when Patrick Graham, the new Giants defensive coordinator, was a linebacker coach who worked with Fackrell with the Packers. It was a one-year deal, $ 4.6 million for Fackrell and hence there were many incentives for him to revive the success he had two years ago.

The unknown is Mark’s Golden. He did what was asked of him in 2019, proving that he could stay healthy, stay in the fields and produce. Golden played in all 16 matches, had 68 highest career tackles and easily led the Giants with 10 sacks. Playing with a one-year deal, proving it after battling a knee injury for two years after a 12.5-year sack in 2016 with the Cardinals, Golden seems to prove he deserves a longer commitment, but he hasn’t generated much interest in the open market.

The Giants, who did not want to give up, placed a rare free agent tag that was not restricted to him, which meant that if he did not get a better offer, he returned to the Giants on a one-year contract with $ 4.1 million. That will be very cheap. If Golden returns, he immediately adds credibility to a group that doesn’t look like much when presenting resumes.

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It seems that the prospect of the Giants’ best pass-in-rush from this draft is Carter Coughlin, an outside midfielder from Minnesota who was taken in the seventh round. Anything from him as a beginner should be considered a bonus. A free agent who does not have a contract, Oluwole Betiku, had nine sacks in 2019 for Illinois and, raised in Nigeria, was fairly new to the world of football and therefore upside down.

“That is one agreement where sometimes people think that all sacks must come from one to two people,” said general manager Dave Gettleman. “This is a group effort. No, we did not conceptualize what you call the blue swan pass-rusher, but often it is a group effort. It is not about who gets sacks, it’s about the number of sacks and the amount of pressure. ‘

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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