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Why Manchester United are not backing down over Jadon Sancho agent fees in transfer negotiations – Samuel Luckhurst

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Why Manchester United are not backing down over Jadon Sancho agent fees in transfer negotiations - Samuel Luckhurst

There was a strange non-transfer tale recently where a Premier League club briefed they were interested in a player they had no interest in signing.

The player is represented by the same agency with elite clients already at the Premier League club, who agreed to fuel publicity around the player in an attempt to smoke out an actual interested party. The uninterested club soon signed a player who occupies the same position as the player they were supposedly interested in signing – but had no interest in signing.

“Are you watching closely?” Christian Bale intones at the start of The Prestige. Transfer windows are rife with illusions and Manchester United are often an unwilling part of the act. Only two weeks ago, it was reported by RTP in Portugal Raul Jimenez ‘is on his way to Manchester United’ and the Wolves striker soon started trending on Twitter.

United clarified there was ‘nothing in’ the report and, in this instance, even the most gullible fans ought to know better. In the five-paragraph story, Jimenez’s ‘is on his way to Manchester United’ was not mentioned until the end of the fourth paragraph and it was the only reference to the player or United. The story could not be found on the RTP sport landing page, either. You did not have to be Edward R Murrow to tell something was up.

A friend holidaying in Portugal once bought one of the sports daily ‘papers and counted Benfica were linked with 16 players. A colleague at the MEN last week penned an opinion piece on the Porto full-back Alex Telles and the next day A Bola wrote Telles was a target for United to replace Luke Shaw.

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Journalists and other industry members refer to it as the ‘circle of s—e’ and sections of the British media are not immune from fuelling the despair and hope of the circle. Opinions are spun as news items, gossips treated as fact and wannabe football journalists who hate football journalists depend on the scuttlebut.

The Jadon Sancho situation is becoming tedious and Borussia Dortmund’s Comical Ali-style communiques will do little to discourage United, frustrated by the slow pace of discussions with Marco Lichtsteiner, the intermediary acting on Dortmund’s behalf. Sancho is represented by Emeka Obasi.

United described it as ‘unusual’ of Dortmund to have hired Lichtsteiner, brother of erstwhile Arsenal defender Stephan, when United brokered the club-record deal for Juan Mata without any of their representatives dealing with Chelsea face-to-face. An agency is understood to have overseen the sale of Alexis Sanchez so United could concentrate on Sancho.

Sancho’s wages and the intermediary fees are proving to be an ‘obstacle’ and senior United sources stressed they will not make ‘mistakes of the past’; references to Sanchez and the £41million Mino Raiola pocketed from the Paul Pogba transfer four years ago.

In a desperate and caveat-laden explanation for their failure to sign a centre half in 2018, United expressed horror at the agent’s commission had they taken a punt on Yerry Mina, hawked around Europe after a reasonable World Cup with Colombia. Before Everton clinched a deadline day deal for Mina, a high-ranking United official expressed their hope Everton would give Mina a swerve as they felt the market could be distorted by the agent’s cut.

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The blame-the-agents excuse was ridiculed by an intermediary who works for one of football’s most high-profile agencies and has a client at United. It was also rich of United to reach for that excuse without acknowledging the precedent set by Raiola’s commission, though face-saving was paramount after Jose Mourinho had backed them into a corner.

Liverpool paid agents the most (£30.3m) for the second season running and United were third (£27.56m), up from the £20.75m in 2018-19 due to four major additions and the loan arrangement of Odion Ighalo. Even during that period, United blamed ‘extraordinary’ demands for the collapse of their fleeting interest in Paulo Dybala. Dybala’s agent Jorge Antun said ‘the stories about the commission were not true’.

Dybacle: United ended their pursuit of Dybala last year

Raiola wanted to secure a share from future sales of Erling Haaland that United were unwilling to meet, with sources describing the terms as ‘bad for the industry’. United signed four Raiola clients across two summers but have cooled their relationship since the £75m signing of Romelu Lukaku, no longer a Raiola client, in 2017. The Haaland fallout triggered Raiola on Twitter, although he showed ‘solidarity’ with Woodward over the unsettling attack on his home and Woodward is believed to enjoy Raiola’s company.

Ed Woodward arranged for Jorge Mendes’s daughter to have a work experience placement at the club and, without Mendes’ influence, a move for Bruno Fernandes would not have materialised. Fernandes’s agent agent Miguel Pinho was said to be so out of his depth in fielding enquiries in the summer that intermediaries went to the player directly to ascertain how much Sporting Lisbon were demanding for him. Tottenham had dispatched two intermediaries to Lisbon in vain and Mendes then touched base with the promise of a transfer in 2020.

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Woodward or Matt Judge speak frequently with the figureheads of the major agencies and three of United’s substitutes in Cologne on Monday night are clients of the Stellar Group, co-founded by Jonathan Barnett. Sergio Romero, Dean Henderson, Luke Shaw, and Marcos Rojo are looked after by Stellar, as is Jack Grealish.

However much United’s principals are undermined by their past dealings, they are entitled to change, just as Jurgen Klopp was after he derided the Pogba deal two years before shattering the world record fees for a defender and a goalkeeper. United have prioritised players primarily enchanted with playing with the club, hence why they are prepared to move onto an alternative to Sancho.

People are watching closely.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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