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Virgil Abloh, king of luxury streetwear, has died

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Virgil Abloh, king of luxury streetwear, has died


“Everything I do, I do for the 17-year-old version of myself,” said Vigil Abloh, who deeply believed in the power of art to inspire future generations. The revolutionary designer, considered the king of luxury streetwear, LVMH ‘s celebrity designer and the most prominent black figure in the world of luxury fashion, died last Sunday at the age of 41 after battling “rare and aggressive” cancer for two years.

The news of his death was reported by the LVMH group, which owns Louis Vuitton, in an Instagram post. Fashion brand owner Off White also suffered from cardiac angiosarcoma diagnosed in 2019: “We are devastated to announce the death of our dear Virgil Abloh, father, husband, son, brother and devoted friend,” he writes. in a post that was also posted to the account of the designer, who had two children, Gray and Lowe Abloh, from Shannon Abloh, with whom he has been in a relationship since 2009.

“Since his diagnosis in 2019, he has chosen to support his battle in private, going through many complex procedures, while heading several important institutions dealing with fashion, art and culture,” reads the same text. “While he went through it all, his work ethic, endless curiosity and optimism did not shake. Virgil was guided by his dedication and his mission to open doors to others and create paths to greater equality in art and design. “

Bernard Arnault, President of the LVMH Group, was also one of the first to publicly express his regret: “We are shocked by this news. Virgil was not only a genius and seer, but also a man with a beautiful soul and great wisdom. The LVMH family joins me in this moment of great sadness, ”he wrote on his Instagram account.

From architecture to fashion The first great black creator committed to “promoting African American cultures” was the son of immigrants from Ghana, raised in Chicago, USA, and before he reached fashion, earned a degree in civil engineering and architecture.

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After his studies, he was an intern at Fendi, an Italian fashion house founded in 1925, on the same team as rapper Kanye West, a friend who catapulted him to fame. At the company’s Rome office, they both began a collaboration. A year later, Kanye named Virgil the creative director of his ad agency DONDA, and two years later asked him to be the artistic director of Watch the Throne, the duo’s collaborative album with Jay-Z.

In 2012, Abloh managed to create his first company, Pyrex Vision, a small couture boutique in streetwear style. His secret was this: buy some vintage Ralph Lauren pieces that are not on the market for forty dollars and bring drawings on them, selling them at prices in excess of $ 550. However, the deal did not last long – Abloh believed that it was more than a commercial company, as an artistic experience.

in one’s own name A year later, Virgil Abloh has already founded his first fashion house with the Off-White streetwear brand. The company, based in the fashion capital of Milan, has been described by Abloh by investors and fashion critics as “a gray area between black and white as an off-white color.”

Working with everyone from Nike to Ikea, Perrier and Mercedes-Benz, the designer has taken fashion to arenas where it has never been before, cross-pollinating other fields, though fashion purists don’t appreciate it.

In 2017, he was invited to collaborate with Nike on a new collection called “The Ten”, in which he recreated the company’s ten best-selling sneakers such as the Air Presto, Air Vapormax and Blazer, with their unique characteristics. style characteristics. At the same time, in partnership with the Swedish furniture company IKEA, a line of furniture and decor items for apartments and houses was launched. A collection called “Markerad” in “pure” or “fresh” Portuguese was launched in 2019. The artist told the Observer that year that as he walked through fashion week, people told him that what he was doing was “not fashionable.”

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versatility But he soon proved otherwise: in 2018, Virgil made history by being named head of the brand’s menswear design department, the first black designer to play that role at French house and conglomerate LVMH.

In part, the brand has expanded it to help the company maintain access to a younger and more diverse consumer base. The designer stood out for having over 6 million Instagram followers, where his posts reflected his daily inspirations as well as his latest creations, collaborations and travels.

Upon accepting this position, he admitted: “It is a great honor for me to accept this position. I think that the heritage of the home and its creative integrity are the main sources of inspiration, and we will strive to refer to them, drawing parallels with modernity. ” And because of this, his influence went beyond fashion. He not only designed the cover art for Kanye West’s album, but also collaborated with artists such as rapper Drake, Pop Smoke, Westside Gunn, Octavian and Lil Uzi Vert. West often referred to his colleague and friend as “a true architect.” “I have all these ideas, and Virgil can bring them to life, because he is a real architect,” he said.

Abloh showed his first collection for Louis Vuitton in 2018 at Men’s Fashion Week at the Palais Royal in Paris. Singer Rihanna was the first to wear one of her creations before the show. At his invitation, rappers such as Playboi Carti, Steve Lacy, A $ AP Nast, Dev Hynes and Kid Cudi have paraded for Louis Vuitton. After all, when Virgil and Kanye West cried while hugging.

In sports, Abloh’s designs were most visible in the NBA thanks to Louis Vuitton’s league campaign and Off White and Nike collaborations, used by stars such as Russell Westbrook, Draymond Green and Jordan Clarkson. Abloh also worked with Nike on the boot design for Paris St-Germain star Kylian Mbappé.

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In 2011, his work on the cover design for Kanye West and Jay-Z’s Watch the Throne was nominated for a Grammy Award for Best Visual Performance. The artist received the Urban Luxe award from the British Fashion Council in 2017 and was named one of the 100 Most Influential People in the World by Time Magazine the following year – one of only two designers nominated this year.

Reasons for success “His broad approach to design has inspired comparisons to artists such as Andy Warhol and Jeff Koons. For him, “clothes were a symbol of identity,” wrote Vanessa Friedman, fashion director and chief fashion critic for The New York Times. “Abloh changed not only what consumers wanted to wear, bridging the gap between streetwear and the world of luxury, but also what brands wanted from a designer,” he added.

In a statement, Ralph Toledano, president of the French Federation of Haute Couture and Fashion, praised Abloh for “his willingness to break down barriers.” In return, Gucci stated that Abloh was “an inspiration to all of us.” British Vogue editor Edward Enninful went even further, calling him a “giant among men”: “Virgil Abloh changed the fashion industry. It is known that he was prolific, he always worked for a cause greater than his illustrious career: to open the door to art and fashion for future generations, so that they, unlike him, grow up in a creative world with the people they reflect. ” …

A tribute to the designer will take place on Tuesday in Miami as part of a fashion show scheduled by Louis Vuitton.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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