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:: Taurus and gold

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Touro e Ouro

Campo Pequeno, July 21, 2022

2022-07-21 21:30:00

6th Bull – son of Antonio Telles (Antonio R. Brito Paes – 660 kg)

António Telles Filho put an end to today’s celebration at Campo Pequeno.
And he put a very good end to the show, enriched by his very good performance, growing, measuring, developing and taking risks or not, because he was the master of the events.
A succession of good shorts created as a result of excellent encounters… and an audience standing by.

The last catch of the night was achieved thanks to Duarte Mira from Amadores de Lisboa on the fifth try.

Antonio Telles son – Time
Duarte Mira (GFA Lisbon) – Not allowed back







5th Bull – Joao Salgeiro da Costa (Antonio R. Brito Paes – 618 kg)

João Salgueiro da Costa was in charge of the distribution of the fifth bull, which, like the other bulls that entered the arena, showed a bullfight-worthy trapio where it was distributed.
Salgueiro received the opponent well, very shortly, and left the long ones on a high note.
In shorts, he gracefully left the equipment of the order, standing out in a gaudy and cohesive dress.

The last Montemor jacket handle from Alentejo was made by José María Vacas de Carvalho on the first try.

Joao Salgueiro da Costa – Time
José Maria Vacas de Carvalho (GFA Montemor) – Time







4th Bull – Antonio Brito Paes – (Antonio R. Brito Paes – 652 kg)

Regular performance by António Maria Brito Paes.
The bull he faced, the heaviest one we took to the celebration, was more reserved, though he allowed the bullfighter to practice his passage through the arena while listening to the music.

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On the second haul for Amadores de Lisboa, Daniel Batalha’s forks were on the front line, doing their job on the first good try.

Antonio Maria Brito Paez – Time
Daniel Batalha (GFA Lisbon) – Round trip with first aid







3rd Bull – Joao Salgueiro (Antonio R. Brito Paes – 628 kg)

Joao Salgueiro dealt with the third bull in the order that “left himself” and with whom Joao Salgueiro gave an adequate deal.
Music to the first short, but in fact it was the second long, which was supposed to motivate the demonstration of the scarf by Race Direction. Really good.
Everything else is fine, within the framework of your concept, good meetings and pleasant communication.

Vasco Ponce was responsible for making the second haul, owned by Grupo de Forcados Amadores de Montemor, which was made on the first try.

Joao Salgueiro – Time
Vasco Ponce (GFA Montemor) – Time







2nd Bull – Antonio Ribeiro Telles – (Antonio R. Brito Paes – 610 kg)

A truly emotional moment was the one that António Paglia Ribeiro Telles experienced in the capital’s arena, on the same day that exactly 39 years ago he turned professional, having received that day an alternative from the hands of his Father, the Master. David Ribeiro Telles.
To the sound of the music, the audience gave a noticeably emotional applause.
His leadership was in a crescendo. After three long ones, which the bull got used to for a long time, he moved on to short ones, into a real art collection. Each iron is better than the last, true to its concept…

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Nuno Fitas of Amadores de Lisbon was responsible for starting the fighting to form the “land”, completing the first attempt.

Antonio Telles – time
Nuno Fitas (GFA Lisbon) – Time







1st Bull – Joaquim Brito Paes – (Antonio R. Brito Paes – 582 kg)

The first professional bull in the rest of his career, which was supposed to become “gold”, was called Noitadas and weighed 582 kg. night Alternatives.
He excelled in the longs and how he took the opponent and made the first short of immediate music! with justice!
This short, great encounter allowed us to anticipate what would come next, i.e. a succession of others, with the opposite bit of python pronounced, balanced and making a splash on the bench…
This or that precipitation did not overshadow the performance, which the bullfighter and the dynasty he represents could well be proud of.

Joaquim made a toast to his father and brother.

Vasco Carolino of Amadores de Montemor made the first attempt.

Joaquim Brito Paes – Time
Vasco Carolino (GFA Montemor) – Time







ALTERNATIVE Joaquim Brito Paez

Joaquim Brito Paez has since become a professional racing driver.

The youngest of the Brito Paez dynasty, he received from his brother Antonio Maria Brito Paez the coveted “doctorate” in bullfighting.

His witnesses were the knights António Telles, Joao Salgueiro, Joao Salgueiro da Costa, Joaquim Brito Paes and António Telles Filho.

The young man now wears a coat of blood and gold, and he will be dealing with a bull from the ranch of his father, Antonio Raul Brito Paez.

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Joaquim was quite emotional, especially when his brother hugged him.

For those who will be the first toast, we will tell below …





Acquaintance…

Bull and gold tonight at STRAIGHT the most important bullring in the country, small field.

Today, “little things” do not live here, except that this is the beginning of the next Lisbon season, it is also night ALTERNATIVE.

Become a bullfighting pro Joaquim Brito Paeza member of the bullfighting dynasty, but more importantly, he continues the future of bullfighting, another young man with delusions and a love of bullfighting.

Respect is already done. Through the arena, in the traditional salute of the audience that fills almost all bullfightsknights passed António Telles, Joao Salgueiro, António Maria Brito Paez, Joao Salgueiro da Costa, Joaquim Brito Paez and António Telles Filhoaccompanied, of course, by the respective gangs.

The forks of the famous Groups from Montemor and Lisbonand in a very short time the cattle ranch bulls will enter the arena. Antonio Raul Brito Paes.

The show begins now under the direction of Lara Gregorio de Oliveira, assisted by veterinarian Jorge Moreira da Silva.

Note: a minute of silence was observed in memory of the former member of the Grupo de Forcados Amadores de Lisboa, Carlos Serra.







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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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