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Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – TELEVISION

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Someone else's shame, cabbage and muscles that can sing.  We saw the premiere of "The Singer or the Changeling?"  - TELEVISION

Let’s get straight to the point: I’ve never been a fan of Mascara, the SIC program introduced by Joao Manzarra. Therefore, as soon as comparisons were made between this format and the high rate of the Paso de Arcos station for the summer, “Singer or Impostor”, which premiered this Sunday, July 17, I turned up my nose. Despite this, and also because here at MAGG, people who follow the news, I was ready to scrutinize the musical debut.

And while the program managed to surprise me, the launch couldn’t have been more confusing than the Plaza de España works (which seem to have lasted two and a half pandemics). Okay, we’ve got the host – Claudia Vieira – who, despite being stunningly beautiful and with a physique that dazzles her enemies, looks like she’s been dressed for the fanciest boxing match. Yes, because the trousers could be ugly, but Celine had them (# growl).

But wait, is that Barbara Guimarães we see over there in the corner? Yes, but not to imagine, but to play. As? We don’t know yet. Okay, now we see Joao Manzarra, Ruy Unas, Deborah Monteira and Rita Guerra. It can only be the jury, right? No, they are influencers, whatever that means in this context.

Singer or impostor

Fixed Influence Bar

credits: Francisco Romano Pereira / Time out

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”>

Fixed Influence Bar credits: Francisco Romano Pereira / Time out

So what about competitors? Well, they may or may not be singers, they may or may not be able to play, and they may or may not have the profession that Claudia Vieira introduces them to. And in the middle of it all, there’s more confusion in my head than I don’t know.

Do you know those board games that are very difficult to understand at first, but by playing them we get tricks? That’s what happens with “Singer or Imposter”: at first it seems like a mess, but then we even manage to keep up.

In short, we have seven mystery singers who may or may not be professional singers. We have a weekly guest – always the face of the SIC, here with Barbara Guimarães opening the panel – who has to eliminate competitors at all stages (including video viewing, playback, interrogations) and wins 1000 euros every time he succeeds. . You can count on influencers’ hunches, and in the end, the remaining mystery singer arrives as a duet with a guest influencer – in the case of a debut, Rita Guerra.

Singer or impostor

Every week there is an invited participant.

credits: Francisco Romano Pereira / Time out

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”> Singer or impostor

Every week there is an invited participant. credits: Francisco Romano Pereira / Time out

If you are a singer, the accumulated value is doubled and the guest can deliver the prize to an institution of their choice. If the impostor has reached this stage, he loses everything.

Are we equal? Perfect. Once I understood the dynamics of the show, I devoted myself to the most fun part: finding the best and the worst in this premiere. Let’s do it?

The best

Barbara, come back, you are forgiven.

Singer or impostor

We want Barbara to return to television.

credits: Francisco Romano Pereira / Time out

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”> Singer or impostor

We want Barbara to return to television. credits: Francisco Romano Pereira / Time out

Those who were already here in the 90s still remember the great “rivalry” between Katarina Furtado and Barbara Guimarães. Barbara replaced Katarina in conducting the mythical Chuva de Estrelas and it seems that since then Portugal has been too small for two presenters of about the same age, more or less focused on the same style. And if I’ve always been “team Catarina” and also looked away how many times Barbara Guimarães changed dresses at the Golden Globe galas, the truth is that the presenter was born to be on television.

It’s the lightness on stage, the interaction with everyone, from the contestants to the judges (sorry, influencers), the voice, the smile. It was great to see Barbara in those roles again – even if only for one broadcast – and I was there with the desire to petition under the tutelage of Daniel Oliveira to make her shine again in any format.

Since we are in a revival, can I send clay to the wall for the return of Chuva de Estrelas? Oh, and by the way, go get Katarina and do another Treasure Hunt. I give you gold, Daniel, gold.

waiter

Singer or impostor

I bet it’s the line for the restaurant today.

credits: Francisco Romano Pereira / Time out

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”> Singer or impostor

I bet it’s the line for the restaurant today. credits: Francisco Romano Pereira / Time out

Carlos Carrizo may be an impostor, but I would venture to say that he is the king of reproduction. Has anyone noticed such mastery of the “song” of “Forbidden Gardens”? I laughed out loud at how Carlos went all out with Toy’s “És So Sensual” theme and I realized that half of the performance is really a performance and Carlos Carriso has little voice.

We overlook the embarrassment of others in that overly long dance with Barbara Guimarães – when Claudia Vieira escaped embarrassment, she calls it smart. – and only because of the sympathy of Carlos, I really want to meet with alentejo restaurant where he works and sings the menu. It’s in Ribeira, in Montemor-o-Novo, and I’m already dreaming of moments.

Vote

Singer or impostor

credits: © Francisco Romao Pereira

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”> Singer or impostor

credits: © Francisco Romao Pereira

calm down! The Voice of Portugal is still warm in my heart, although I don’t know what to think about the upcoming spin-off. “The Voice: Generations”that I am a woman of the original versions – but I confess that I was surprised by the voices of the singers. Especially when the goalkeeper, after a whole smear campaign led by Joao Mansarra, ends up dropping out and breaking everything with Elton John’s “Can You Feel the Love Tonight”.

The program also ended well, with the journalist accompanying Rita Guerra in the final duet. They could have chosen a different song, that the apotheosis of the moment was even “Cavaleiro Andante”, that inevitable karaoke bar classic.

That’s it!

“He comes like this
Mounted knight, mad and triumphant
like a robber
P’ra not fim
leave us invoices

with stupid words
What we said out of love

The worst

Deborah Monteiro dress

Singer or impostor

Deborah, aka Cabbage

credits: Francisco Romano Pereira / Time out

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”> Singer or impostor

Deborah, aka Cabbage credits: Francisco Romano Pereira / Time out

It wasn’t me who called her cabbage, it was Barbara Guimarães, but I have to say: Deborah’s dress was awful. Color, cut, everything. And it’s even more serious when the actress is one of the most beautiful women on TV, with the right personality, and she’s rocking something a little more daring. However, it must be said that he managed to deploy the cabbage joke well, and only for this he earns points.

Everything must be digital now

I will try to minimize my old Restelo edge as much as possible, but it annoys me that nowadays everything has to be young, cool and in line with new trends. This is the only reason I can name a group of influential people that way. And before you come up with “ah, but they’re affecting the competition,” have mercy on me: the word is being used here to address a digital audience that would otherwise have a plethora of terms to define them. I don’t have a bag.

singers faces

Singer or impostor

It won’t take long, friend.

credits: Francisco Romano Pereira / Time out

” data-title=”Singer or Pretender – Someone else’s shame, cabbage and muscles that can sing. We saw the premiere of “The Singer or the Changeling?” – MAGG”> Singer or impostor

It won’t take long, friend. credits: Francisco Romano Pereira / Time out

Why were the seven mystery singers forced to put on their most grumpy face before going into action? Yes, I understand that this is a production requirement, but it is not necessary. Am I the only one who thought that the fruit seller could pull an ax out of the box and recreate The Shining there? Fear.

“Cantor ou Impostor” is shown on Sundays on SIC after “Jornal da Noite”.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Announcement

Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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