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Sandra Felgeiras. Warpath RTP information

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Sandra Felgeiras.  Warpath RTP information

By Vitor Reinho and Daniela Soares Ferreira

The bottom line of the story was announced in 2019, when journalist Sandra Felgeiras and her team from Sextus at 9, of the RTP, accused the then information department of boycotting the investigation. For the less aware, it should be said that the management team, then led by Maria Flora Pedroso and Candida Pinto, would have resigned after the former went to parliament to discuss the case. Candida Pinto, this one, was on vacation and had never appeared at the Assembly of the Republic.

Sandra Felgeiras, meanwhile, found herself at the center of several disputes with members of the government, the most visible face of this “war” being the Deputy Secretary of State for Energy João Galamba, who embarked on a program that ended violently. … The program coordinator – the third most popular on a public channel -, in addition to complaining about censorship, publicly complained about the lack of funds to create a convincing program and did so in Parliament to the President of the Republic in 2019, when she received the award for best news program by the Society of Authors of Portugal.

Continuing in the middle of a story worthy of Friday at 9, it can be said that at the time, Arons de Carvalho, the legendary PS figure who was part of the Media Regulatory Authority, ERC, and is now curiously a member of the Independent General Council. Arons de Carvalho told newspaper i – December 19, 2019, at the height of the Friday at 9 war with the director of the information department, that “programs of this kind should not be on public television.” To back up his idea, Arons added: “There should be investigative journalism, but the dissemination of the content of this type of journalism should have as the only criterion the completion of a controversial job with proper disclosure. This obligation to receive some kind of reprimand every week for exposure leads to the fact that in journalism absolutely necessary steps are skipped. ” The socialist media guru referred to the fact that Sandra Felgeiras’s program was interrupted during the election campaign, which is another of the controversies the journalist was involved in.

With the new channel of information on the public channel, things went quieter, but the means the journalist claimed never came out – higher-ranking journalists and an end to the insecurities of some team members. Lest there be any doubt about the narrative, those in charge of RTP declined to answer questions asked by Nasser prior to SOL.

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Following the current narratives and correctly styling, we come to the present day. In the case of two weeks ago.

Sandra Felgeiras announced her intention to leave the company, tired of fighting windmills, according to people close to her, and explained to the information department that until December 17, she had a pompous content and that she had a duty to protect her. sources that have exposed some members of the government. The directors are directed by Antonio José Teixeira and Carlos Daniel, who themselves participated in a wild story upon arriving at the canal directors, where he was deputy director when he was appointed director, but thwarted by the party forces of this ingenious device. as reported then – he decided, in a week, to publish a communiqué on termination of the contract with Sandra Felgeiras yesterday, November 26th.

However, the information department of the RTP reacted to the news, which began to spread in the media – it is still unknown who published this news. “Due to the public announcement of her departure from RTP and the formalization of her dissolution from the company, journalist Sandra Felgeiras will no longer coordinate and present the program on Friday at 9 am from the end of this week.” And finally, the official confirmation came from a journalist who has been working for the RTP since 2000.

The Information Office added that “free and independent investigative journalism has been part of RTP’s history for decades and will continue to be so. Verification of credentials and what may be illegal and public interest remains a priority for RTP information, which operates in an updated format, “they say in a note thanking” for the work and dedication that journalist Sandra Felgeiras talked about her more than twenty years of travel at RTP. “

Friday at 9 am the team responds

Despite this situation, a team of journalists from Friday at 9 am, without their coordinator, wrote a letter that they sent to the RTP newsroom and which Nasser had access to before POL, demonstrating their “deep resentment” at the station’s public decision. by pausing the program.

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The indignation, it says, is due to the fact that “not a word was addressed to them on this matter.”
“It is with deep humiliation that we see all this happening after months of silence about the lack of resources for the program; and when we have several relevant investigations that are known to the Information Department and which fit only within the framework of the investigation program, “- in a note in which journalists add that it is” completely incomprehensible “that the Information Department announces that it is working in the” new format since Friday at 9 – never heard of us – and when he knows that the program is the only research space thus designated and at weekly intervals, RTP. “

So, journalists – Ana Raquel Leitao, Claudia Viana, Helena Cruz Lopez, Ines Subtil and Luis Vigario – criticize the “lack of communication” with the Friday at 9 team, which is added to the “public statement made in our absence that this will be the last program with Sandra Felgeiras “, which means” public humiliation of the team. “

In a long memo, five journalists complain about the lack of resources and ensure that they are never heard, speaking of “apparent abandonment and deep alienation” from the team’s work by the RTP Information Department, journalists say that “there is no obvious lack of resources that we have experienced, not , not yesterday. “
However, the minutes of the RTP editorial board meeting, to which Nascer do SOL had access, states that the Information Department “wondered if there was room for negotiation or discussion on keeping the journalist in the RTP, and the same denied this possibility, ruling in in the form in which it is accepted. ”

And, contrary to what the investigative program reporters say, the RTP Information Office says it “never received any requests from the Friday at 9 team for a meeting,” adding that on October 13 “there was the coordinator’s first and only proposal to participate in other elements of the program. “. “The Information Department understood that this meeting should only be with the coordinator, and a broader conversation could take place later,” the message says.

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Nascer do SOL knows that on Friday at 9 o’clock the team, including its coordinator, requested additional resources for the program several times, but never received a positive response. The same response was given by Carlos Daniel and Antonio José Teixeira in October, when the appeal was last filed. However, it is clear in the CoR communiqué that the Information Office claims that the team has the same five journalists as when it was created.

Nascer do SOL knows that the RTP information department has always been aware of the lack of resources in the research program, but has never done anything to change that. It was then that two weeks ago, Sandra Felgeiras announced her resignation, presenting her formal resignation to the Board of Directors last week.
It is not known what will happen to Sandra Felgeiras’s team, but our newspaper knows that the information department calls each journalist in the team individually.

It should be noted that shortly after Nascer do SOL posted a letter from Sandra Felgeiras’s team, former Transparency and Integrity President João Paulo Bataglia shared the news on Twitter where he commented, “It’s official. If the RTP does not die a dead death, he dies a dead death. ” According to João Paulo Bataglia, the public radio station’s information department “has seen a triumph of boycott of investigative journalism for several years”, as a result of which one of the most watched programs dies. And he has no doubts: “RTP refuses to announce the updated format. If he had an interest in investigative journalism, he would have had many years to invest in it, ”he says, accusingly:“ This is what happens when you put careerists in charge of news rather than journalists. With the salary of a taxpayer ”.

Public channel corridors say the new investigation program may be led by Candida Pinto, a former deputy director who was fired but never left RTP. Interestingly, the journalist who most of all “disliked” Sandra Felgeiras, according to some journalists in the house. As for the future ex-coordinator on Friday at 9am, it will go through Cofina. Saturday and CMTV.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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