Connect with us

entertainment

Rock in Rio Lisbon: Hurricane Yvete Sangalo, Black Eyed Peas XL video and the city’s most eclectic street – Showbiz

Published

on

Rock in Rio Lisbon: Hurricane Yvete Sangalo, Black Eyed Peas XL video and the city's most eclectic street - Showbiz

“I wanted to stay here with you for another five hours, six hours, until tomorrow morning,” Ivete Sangalo admitted towards the end of the concert, completing another inevitable return to the City of Rock. The feeling must have been mutual, given the excitement the Brazilian continued to inspire in a very loyal Portuguese public.

Throughout its nine editions, Rock in Rio Lisboa has always called out former Banda singer Eva (in 2016 it even called out to her more than once when the singer replaced Ariana Grande), to the point where the festival and the Bahian artist have become inseparable.

In 2022, the collaboration shows no signs of fatigue. Yvete Sangalo brought the energy, determination and success expected of her (“Abalou”, “Sorte Grande”, “Eva” or “Arerê”), filming them along with the orchestra, choir and dancers, which increased the feeling of constant adrenaline. .

Ivete Sangalo

credits: Claudia Lobo

” data-title=”Ivete Sangalo – Rock in Rio Lisbon: Hurricane Yvete Sangalo, Black Eyed Peas XL video and the most eclectic street in the city – SAPO Mag”>

credits: Claudia Lobo

The party was complemented by a virtual duet with Gloria Grove or colorful geometric shapes on the stage and animation on the screen in the background, but the biggest special effect of the singer’s show is herself: a find that hardly anyone disagrees with, defining more or less with the music , which does not end in axé (and for many, the artist is the queen of the genre) or the MPB declension. Funk was the engine behind some more tumultuous moments, sometimes complemented by winks to more danceable electronics, in another certificate of professionalism that helped make a return to Rock City all but guaranteed. Then comes the tenth issue…

There are lights that never go out

Another singer who performed on her own behalf at the Mundo Stage, Ellie Goulding, did not make the same impression, although she managed to leave a significant part of the audience with their hands up and the light of a mobile phone illuminating the stage. the venue – in a place that once belonged to lighters – in “Love Me Like You Do” (a song that took on other flights as part of the Fifty Shades of Gray soundtrack).

Ellie Goulding

credits: Claudia Lobo

” data-title=”Ellie Goulding – Rock in Rio Lisbon: Hurricane Yvete Sangalo, Black Eyed Peas XL video clip and the most eclectic street in the city – SAPO Mag”> Ellie Goulding

credits: Claudia Lobo

Saved for the end of the concert, it along with “Lights” was one of the highlights at a time that, for many, would have been the most suitable for dinner – after the performances of David Carreira and Yvete Sangalo. and before the Black Eyed Peas headlining stage.

“Maybe you know this, sing with me,” the Brit urged before “Burn,” another example of her electronic pop that helped make the final cut the most coveted segment for an audience with many teenagers (above all females) in front rows.

Ending the evening at the Mundo Stage, the Black Eyed Peas took the exuberance of illuminated mobile phones to a new level upon their return to City of Rock (which they haven’t visited since 2004). New single Don’t You Worry, collaboration with Shakira and David Guetta (both highly acclaimed by will.i.am), return to old themes, wink to the Corona classic (“The Rhythm of the Night”, integrated into “Ritmo (Bad Boys For Life)” ), Madonna (“La Isla Bonita”, remembered in “Mamacita”) or the White Stripes (“Seven Nation Army”) and did not avoid new mixtures in the Latin mode, taking advantage of the emergence of reggaeton.

Black Eyed Peas

credits: Claudia Lobo

” data-title=”Black Eyed Peas – Rock in Rio Lisboa: Hurricane Yvete Sangalo, Black Eyed Peas XL video clip and the most eclectic street in the city – SAPO Mag”> Black Eyed Peas

credits: Claudia Lobo

This time without Fergie, who left the band in 2017 to devote herself to motherhood, the Americans introduced the Portuguese public to a new singer, J. Rey Soul, unconditionally welcomed in a crowded hall to the sounds of “Boom Boom Pow”. will.i.am, especially outgoing, thanked the band for their support in both formations, praised Britney Spears’ period of “pure freedom and happiness” (with whom he collaborated on “Scream & Shout” and “Work Bitch”), and never dropped his cell phone. which he filmed the show for live streaming on his Instagram account.

“Pump It” (the theme, which includes Dick Dale’s exuberant “Misirlou” immortalized on the Pulp Fiction soundtrack), accompanied by pyrotechnics, was one of the most acclaimed first moments, later followed by “Where’s the love?” ?” or “I Got a Feeling” (oddly repetitive), like other membership peaks.

If the effect of these singles was already expected, it was a surprise that will.i.am suggested that they return to “Don’t You Worry”, this time for a video review. “Let’s sit down like we’re family,” he urged. So he did with apl.de.ap, Taboo and J. Rey Soul, singing the song while looking at the screen behind the stage. A moment of relative calm, coupled with a no-nonsense marketing maneuver that has so far not compromised one of the festival’s biggest exposures so far.

Black Eyed Peas

credits: Claudia Lobo

” data-title=”Black Eyed Peas – Rock in Rio Lisboa: Hurricane Yvete Sangalo, Black Eyed Peas XL video clip and the most eclectic street in the city – SAPO Mag”> Black Eyed Peas

credits: Claudia Lobo

When to Arrive Early

And now for something completely different… From Miami to Rock City, Magdalena Bay has presented her distinct take on electronic pop music, which has been praised with several singles, three EPs and an album (“Mercurial World”, released last year) ). ).

Vocalist Mika Tenenbaum and producer Matthew Levine, who also played keyboards, guitar and bass live, appeared on the Rock Your Street stage accompanied by a drummer and offered songs as colorful as the clothes they wore.

A collection of house, electro or disco-flavoured sweets, the line-up served up singles like “You Lose” or “Dreamcatch” in an alternation of themes, sometimes whispery and suggestive, sometimes saturated and begging for a mirror ball. . “Three, four, down to the floor / Lose control, a little more,” Tenenbaum urged the inviting “Chairy.”

Magdalena Bay

credits: Rita Sousa Vieira – SAPO24 / MadreMedia

” data-title=”Magdalena Bay – Rock in Rio Lisbon: Hurricane Yvete Sangalo, Black Eyed Peas XL video and the most eclectic street in the city – SAPO Mag”> Magdalena Bay

credits: Rita Sousa Vieira – SAPO24 / MadreMedia

But unlike the crowded room, as in the twilight the day before (at concerts by Sarah Correia or Bombino), the group was greeted by several dozen spectators at the wrong time, starting at 3:30 pm. But at least one of them, a serious contender for the main fan trophy, danced on stage throughout the performance. The band receives an award for the festival’s best kept secret, proving that it’s not just the result of studio illusions, and knows how to transpose their songs on stage. Turning on the stage for an event that has rock in its title: Levin grabbed an electric guitar on “Good Intentions” for an apotheotic finale, nothing short of a thrill for many headliners.

The much more popular Bruno Pernadas show confirmed the diversity of Rock Your Street programming. And this eclecticism is also one of the characteristics of the sonic boiler that marks the discography of the Lisbon composer, producer and multi-instrumentalist. “Private Reasons”, the most recent album released last year, continues this trend and was released in the late afternoon, in the big band format that was usual for their live songs.

Bruno Pernadas” data-title=”Bruno Pernadas – Rock in Rio Lisboa: Hurricane Yvete Sangalo, Black Eyed Peas XL video and the most eclectic street in the city – SAPO Mag”> Bruno Pernadas

Taking charge of the guitar, Pernadas was accompanied by six musicians, which included brass (trumpet, saxophone, sometimes flute), bass, keyboards and drums, while instrumentalists Margarida Campelo and Afonso Cruz also played vocals. From jazz to tribal echoes, from exotic spices to flirting with space disco towards the end (with the right to vocoder), the performance showed a close-knit group whose performance on stage is obvious, and who were not without requests from inside and outside the doors.

With guitar and trumpet bits creating some of the highest boiling points, as opposed to more languid and slippery themes (and mostly instrumental or often using the voice as instrument), a journey where an expressive and interested person would end up with “Galaxy” . “. And despite the eclecticism still recurring, there are other galaxies to explore in this discography, noted the musician in an interview with SAPO Mag.

Rock in Rio Lisboa 2022 returns on June 25th and 26th at Parque da Bela Vista. Duran Duran, Anitta, Post Malone, A-ha and Bush are some of the names that will perform on the second weekend of the ninth festival.

See also  Christina Ferreira's failures and her boot licking
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

entertainment

RAMMSTEIN @ Estádio da Luz, Lisbon

Published

on

Announcement

Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

See also  Fraud and error has sent up to £ 3.5bn in vacation money to the wrong places

We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

See also  "Hell's Kitchen". Franziska is the big winner of Lubomyr's infernal program - Television

The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

Continue Reading

entertainment

Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

Published

on

Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

See also  Katya Aveiro was hospitalized with COVID-19. "I Saw Pneumonia" - Current Events
Continue Reading

entertainment

After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

Published

on

After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

See also  Steven tWitch Boss, DJ Ellen DeGeneres dies
Continue Reading

Trending