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Remember the day when Eva Wilma fought in Portuguese with Hitchcock from “Psycosis” – 05/15/2021 – Illustrated



Remember the day when Eva Wilma fought in Portuguese with Hitchcock from "Psycosis" - 05/15/2021 - Illustrated

In a video that was part of the Hitchcock – Bastidores do Suspense 2018 exhibition at the São Paulo Museum of Image and Sound, actress Eva Vilma, who died this Saturday at the age of 87, recalled the day she discussed in Portuguese language with director Alfred Hitchcock.

In the recording, Eva Wilma says that Hitchcock was looking for a woman to play the Cuban Juanita in the 1969 film Topazio. After taking photographs for selection, she received word that she had been selected for the job. tests.

It was in a studio in Los Angeles that the actress revealed that she first met the director of Psycho, who soon noticed that one of her teeth had sunk slightly in relation to the others, and asked the makeup artist, “what is this? ? “are we going to do this?”

The episode is humorously recalled by the actress, who admitted that she was outraged even when she found out that she would have to use fake breasts for the scene. Disappointed, the make-up artist had to calm her down, saying that in a couple of years she could win the “right” not to use prostheses.

According to Eva Wilma’s report, preparation for the test lasted a week, but responsibility only increased when she arrived at the studio and saw the trailer with her name written on it. From there, he prepared for the stage and saw the vain Hitchcock triumphantly appear in the studio to the applause of the entire team.

In the first and second tests, things went well. But in the third part, the situation escalated. It was a personal interview in which the director improvised questions on the spot and the camera was turned on. She recalls the rather provocative, somewhat humorous, but dramatic Hitchcock.

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Eva Vilma said that she already knew English, but after some provocations, she reacted by saying that she was already embarrassed and annoyed by the questions, especially since she had to answer in a foreign language. It was then that he heard from the director “the answer in your language” – and he did it until the end of the interview.

After returning to Brazil, Eva Vilma said it took about three months before she was informed that she had hired a German actress to play Juanita – Karin Dor.

When he was ready, he watched Topázio and said that he felt a little relieved that he did not participate. For her, the film soured and the Cuban scene was even worse, but she admitted that “I would have wanted to do it anyway.”

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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