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Portuguese Teachers Association admits failure of AO90 – Aventar



Portuguese Teachers Association admits failure of AO90 – Aventar
Introductory note: there are free hyperlinks at the end of the text.

Because there are Brazilian students who have been fined in classifying Portuguese writing exams according to the variant they have learned, the Association of Professors in Portugal (APP) defends creation of a working group to discuss the acceptance of Portuguese varieties in examinations.

I don’t see anything wrong with thinking about this issue, because we have to protect the weakest link, which in this case is the immigrant student. There will be a few issues to consider, but the concerns are legitimate, although I don’t think the problem is that easy to fix. However, something else brought me here today.

It is worth remembering that the APT has always been on the side of defending the so-called spelling convention (AO90), that eighth wonder of the world, which, according to its various apostles, would contribute to the much-desired “spelling unification”. it will solve problems that never happened. Solving problems that don’t exist is actually a typical Portuguese characteristic.

With AO90, writing becomes unique. Evanildo Bechara even stated in the company of many that “in any area where it is used, be it in Brazil, Portugal or Africa, the Portuguese language will only be written in one way. This means that a book edited in Portuguese can travel to all these countries because the spelling is the same.”

Thus, we are forced to conclude that the problem raised by APP should not exist, it will be solved by AO90. There may be those who want to disguise themselves by diverting the topic into syntactic and lexical issues, but the truth is that there are still many orthographic differences (to repeat the synthesis: AO90 extinguished some differences, preserved differences and – a miracle of unification! – created differences that are not It was).

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In recent years, many Brazilian students have entered Portuguese schools who, even using AO90, write with Brazilian spelling, Brazilian vocabulary, Brazilian syntax. In the national examinations to which they are subjected, classifiers (or, as they say, proofreaders) are not instructed to identify these differences (because these differences, as it were, do not exist, since we have allegedly identical spelling for everyone).

So the APP initiative is welcome. This association simply lacks the honesty to admit that this issue is further proof that the AO90 is a disgraceful failure. All you need is honesty.

The Portuguese Teachers’ Association acknowledges that there are problems with AO90.

Spelling Convention: Explained by the Association of Teachers of the Portuguese Language

Teachers Support Spelling Convention Claims

Spelling convention: teachers’ indifference

Spelling convention: delusions of Evanildo Bechara

Double spelling and spelling standardization

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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