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Palme d’Or homecoming: French film Titan won the Cannes Film Festival anticipating Spike Lee’s oversight – News

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Palme d'Or homecoming: French film Titan won the Cannes Film Festival anticipating Spike Lee's oversight - News

Julia Dukurnau’s “Titan” won the Palme d’Or at the 74th Cannes Film Festival, the awards were announced Saturday afternoon.

Received from the hands of Sharon Stone, this is the second time in the history of the most important festival in the world that this award has been presented to a film by a female director after Jane Campion in 1993 for Piano, when Julia Ducurnau was … 9 years old.

It is also the first French title won since Dheepan in 2015 by Jacques Audiar (who raced with Les Olympiades, which ran out of prizes).

“Thank you to the jury for calling for more diversity in our cinematic experience and our lives. Thanks to the jury for letting the monsters in, ”said the director with tears in her eyes, already shaking the festival with her first film, Raw in 2016.

“Titan”, acquired for Portugal by distributor Alambique and starring Vincent Lyndon and Agatha Roussel, is a “bodily horror” that has been compared to David Cronenberg’s “Catastrophe” (1996), revealing the story of a woman who becomes a murderer in a TV series with a to cars.

After Parasite, Palm 2019, the French woman’s film was the most radical, eccentric and violent among the 24 contributors, which did not make him a favorite, but the tension around the bold choice was lost due to the monumental oversight. jury chairman Spike Lee at the beginning of the ceremony: actress and presenter Doria Tillier asked her, “Can you tell me which prize is the first?” and instead of revealing the male acting award, the American director replied, “Yes, I can. The Golden Palm was awarded to the film “Titan”.

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It was “lost in translation” recalling the film in the wrong envelope and the announcement of “La La Land” by the Best Picture Oscar: “No” by French actress Melanie Laurent, who was a member of the jury, was timeless and the unexpected discovery stunned the audience in Bolshoi Lumiere Theater.

Other members are Senegalese actress, director and screenwriter Mati Diop, French actress Mylene Farmer, American actress Maggie Gyllenhaal, Austrian director and screenwriter Jessica Hausner, Brazilian director and screenwriter Kleber Mendonsa Filho, French actor Tahar Raheem and South Korean actor Song Ganho. between laughing and covering your face with your hands.

SEE THE MOMENT.

Later, the “upset” Spike Lee was eventually consoled by Julia Dukurnau herself, Sharon Stone and the jury, while actor Tahar Raheem, who was sitting in the back, sat next to him and acted as his translator for the rest of the period. ceremony.

Spike Lee after an oversight

“data-title =” Palme d’Or home “: French film” Titan “won the Cannes Film Festival, awaited by Spike Lee Gaffe – SAPO Mag”>

Spike Lee after an oversight

But this episode is not enough to tarnish the festival, which itself was a victory after last year’s cancellation and held from July 6 to 17 instead of the traditional month of May, still due to the pandemic: among the vaccinated, masks and thousands of people. Based on the results of PCR tests, the organization identified only 70 positive tests for COVID-19.

In the competition, Portugal was nominated for the Palme d’Or short films by Diogo Salgado’s Noite Turva, but won the Chinese Tous les corbeaux du monde by Tan Yi (also received a Special Review for the Brazilian film Céu De Agosto by Jasmine Tenucci …

AWARDS AT THE END OF THE CEREMONY.

Titan has topped films made famous in cinema, including several without any Cannes awards, such as Wes Anderson (French Distribution), Paul Verhoeven (Benedetta), Nanni Moretti (Tre Drunk “). and François Ozon (“Tout s’est bien passé”).

Also in the run-up to a film seen as a more consensual choice for Palma, the Japanese film “Drive my Car”, which had won the Best Picture award from international critics and an ecumenical jury since 1974 (which since 1974 has awarded one of the films that best exalts human and solidarity values), and was marked by the arguments of Ryusuke Hamaguchi and Takamasa Oe. It will be distributed in Portugal by Leopardo Filmes.

The grand prix of the jury, “second place” in the awards, was the ex-eco for the psychological thriller from Iran Asgara Farhadi “Hero” (winner of the screen prize “Seller” in 2016), with which the Oscar winner returned. a film in his home country and “Coupe No. 6” by Finn Juho Kuosmanen, a “road movie” about a woman who travels by train to the Arctic Circle. The former will also be distributed in Portugal by Alembic and the latter by Legendmain.

The jury prize, which corresponds to third place, was also the ex-aequo for Ahed’s Knee by Israeli Nadav Lapid about a director facing the death of his mother, and Memoria by Thai Apichatpong Weerasethakul (already created with Palma in 2010 for the film Uncle Boonmee Who Remembers His Previous Lives ”), where Tilda Swinton plays an orchidophilus who travels to Colombia to visit his sister and begins to hear strange sounds. The second is already being distributed in Portugal by Midas.

Frenchman Leoche Carax won the Best Director award for Annette, the opening film of the festival already shown in Portuguese cinemas, starring Adam Driver and Marion Cotillard, who personify a couple of stars whose lives change with the arrival of their first daughter. …

The Golden Chamber, attributed to the first film, went to Murin, directed by Antoneta Alamat Kusianovic, a Serbia-Croatia co-production for a teenager who decides to replace his controlling father with a foreign friend during the final trip. weekend at the Adriatic Sea.

The highlight of the closing ceremony was the Honorary Palme d’Or awarded to Italian director Marco Bellocchio (another was presented at the opening by Jodie Foster).

Author of films such as Enrique IV (1984), Condemnation (1991), Good Morning Night (2003), Victory (2009), The Sleeping Beauty (2012) and The Traitor. “(2019), 81 years old, received an award from his compatriot Paolo Sorrentino.

Acting awards

The Cannes Film Festival jury selected two actors little known to the general public.

At 31, Caleb Landry Jones won the Best Actor award for his role in the Australian film Nitram by Justin Kurzel, in which he plays a serial killer. This is another name distributed in Portugal by Alembic.

The film, a portrait of the author of the 1996 massacre that killed 35 people on the Australian island of Tasmania, sparked controversy in the country even before it was released, especially among the families of the victims.

But Caleb Landry Jones, who is also a musician, did not hesitate to play the murderer of Martin Bryant, who was sentenced to life in prison.

“I didn’t say to myself, be careful, I’ll get in trouble if I make this film,” the actor told AFP. “On the contrary, I was very interested in this film because it talks about a subject that no one wants to talk about.”

Texas-born Caleb Landry Jones made his film debut at age 13, playing a small role in the Coen brothers’ This Country Is Not for Old Men, which won four Academy Awards in 2007.

Since then, he has starred in American independent films, playing ambivalent roles, from the hypersensitive addict in the Safdie brothers’ Heaven Knows What (2014) to the toxic man in the third season of Twin Peaks (2017), passing by a gas station employee in Jim Jarmusch’s film The Dead Don’t Die (2019).

In 2017, he appeared in three Oscar-nominated films: Three Posters by the Road, Run and The Florida Project.

Unsurprisingly, the Norwegian Renate Rainesw was the best actress in the role of the protagonist “Julie (en 12 Chapitres)” Joachim Trier, who tells the story of a “millennial” going through an existential crisis in Oslo, who wants to remake his life.

It was the opening of the Cannes Film Festival that left critics at their feet after the film aired on July 9th.

“This situation surprised me,” Reinswe admitted to his sudden notoriety to AFP.

“I know that no one has seen me before, because this is my first role. I played a lot in the theater and shot several films … And always small roles, ”he added.

Interestingly, Renate Reinswe made her debut in another Trier film “Oslo, 31 August” (2012).

“I’ve always wondered why he never had a more important role,” he explained. “And I said to myself: let’s make a film with her.”

For Trier, the character played by the actress is very similar to her.

“I completely identify with her because I had to go through such things,” agreed Renate Rainesw.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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