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No filters and more “authentic”. How does BeReal, the new “anti-Instagram” social network that attracts young people, work?

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No filters and more "authentic".  How does BeReal, the new "anti-Instagram" social network that attracts young people, work?

“BeReal will not make you famous. If you want to become an influencer, you can stay on Tik Tok and Instagram,” the app’s description reads.

“It’s time to BeReal [Ser real]”. This is the notification that Joana, Eva, Mariana and about three million people around the world receive once a day, always at different times, from the new BeReal social network. It can be 09:00, 12:00, 20:00 : 00 or even later – the notification pops up unexpectedly. By tapping the notification, users have two minutes to take two photos at the same time: one on the front camera of the phone in selfie mode, and the other on the back camera to show you what is in front of you .

The goal is to share with friends what is being done at the moment, without filters or other image manipulation. It is at this moment that this application, created in 2019 by a French startup, positions itself as a social network. “anti-instagram”. “BeReal will not make you famous. If you want to become an influencer, you can stay on Tik Tok and Instagram,” reads the app’s description on App Store you’re on Google games.

It is this concern for authenticity that attracts young people all over the world if they were not the target audience of this social network, as explained by Graça Canto Moniz, a social media specialist who defines this application as a social network. “from a niche”.

“This is what management calls a blue ocean strategy. [Estratégia Oceano Azul]when we already have a market with such a large offer that the new items that are successful are niche things. And this is a great example of that,” he said in a statement to CNN Portugal.

BeReal was designed to match the values ​​of the younger generation, the so-called Generation Z and millennials, who tend to be “social media users who make more informed decisions” without ever neglecting the values ​​they defend. “Authenticity is one of those values,” says Graça Canto Moniz. “That’s why it’s so important to them [os jovens] register moments of authenticity in your daily life,” he adds.

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With this social network, young people don’t feel “so much pressure” to post photos, unlike what happens on other apps. “To post a photo on Instagram, I need to edit it, ask my friends what they think,” says Eva Rua, 21, who installed BeReal about two weeks ago. In this application, he says, because “it’s hot at the moment” where there is no possibility to use image editing tools, there is much less need to post “perfect” photos.

Joana Ribeiro, 26, also installed this social network just 15 days ago, but already notices a difference compared to others: “It is more authentic because it does not give a chance to “lie” that is already visible on other networks. There are no filters, and since the photo is taken with both cameras at the same time, it is meant to capture reality.”

A “real” social network?

Even though it bills itself as a “real” social network, the truth is that you can always manipulate the images we share – not with filters, but by “playing” with notifications. It’s true that the notification pops up unexpectedly, but the user can open it now or later. The two minutes for taking photos only count from the moment the notification is opened.

“If you got a notification when you just woke up and you’re still all tousled, you can always get ready early and only then take a picture,” says Joana Ribeiro, who admits that while the concept of the app is original, in practice, in As a result, it is no different from other networks.

Besides being able to “play” with notifications, users have another way of manipulating the photos they post – which, by the way, is at the heart of all social media: cropping. Users only show what they want to show.

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“This new chain is sold with a value of authenticity that goes through the non-artificial, but still there is some artificiality because any photo only shows what we want to show. It’s a marketing strategy,” says Vitor Ferreira, a sociologist who studies youth, among other things.

Clubhouse business model and example

Despite its success among young people, the truth is that this app, created by a French startup in 2019, is “still in its infancy,” as Graça Canto Moniz explains. “The last time I saw it, it didn’t even have three million users. If we want to compare, Snapchat has 347 million users. This application is still growing. And I don’t know if it will be very successful,” he problematizes.

This is because, in an uncertain economic context like the one we are currently facing, “investors want to make less risky decisions and will put their money into other things”, so “there will be a shortage of capital for these businesses.” expert predicts.

“I don’t know if [esta rede social] this will be the new Snapchat, I’m a little skeptical about it, ”she admits.

In addition, as is the case with other social networks, BeReal will have another problem: the profitability of the application justifies the capital invested. Unlike Facebook, which “lives off ads” and other apps, BeReal has no ads, so it’s not yet known what its business model will be.

An application whose business model has also raised some doubts and which has also recently gained a lot of popularity was Clubhouse, a social network that allows you to communicate only by voice. The app was launched in April 2020 and took advantage of the pandemic restrictions to establish itself as a social network that brings people together.

Andrew Chen of Andreessen Horowitz venture capital firm justified the company’s investment in the Clubhouse to “reinvent the category [das redes sociais] in all the right ways, from your content consumption experience to how people interact, empowering your creators.”

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But the success of this application was “the shortest sun”. Clubhouse reached its user “peak” in March 2021, less than a year after launch, when it had 10 million active users. this number has dropped to 3.5 million a few months later, in September 2021

The removal of anti-covid restrictions seems to be the most commonly used argument to justify the loss of interest in the application, but the business model could also affect this result. This is because the Clubhouse relies solely on investor capital – it has raised $110 million since launch – thus not counting ad revenue or other forms of monetization.

“You never know what the outcome of these applications will be. When there is advertising, it is clear how they will be monetized, how investors who invest money in it will return. impossible to understand,” sums up Graça Canto Moniz.

Why another social network?

Like Eva and Joana, Mariana Ribeiro also recently, about 15 days ago, installed the social network BeReal. She met the application in a conversation with a Dutch friend – in the Netherlands, this social network has long been a success among young people, she says. Since she was already sharing her everyday moments with her friend, she ended up trying to do the same with this app.

But that was an exception to her social media consumption habits, says the 24-year-old, who only uses Instagram in addition to BeReal. Mariana recently felt the need to do a “social media detox” and decided to remove many of the people she follows and even her followers from her profile.

“It got to the point where I was confronted with the toxicity of social media and I thought, it can’t be, i can’t afford to influence things i don’t even know if it’s true or not“, Account.

BeReal has already amassed around three million users, which is still very low compared to Snapchat’s 347 million. Photo: Jakub Pozicki/NurPhoto via Getty Images

Even though Eva Rua doesn’t feel the same way as Mariana, she says some of her friends have chosen not to install BeReal because they “don’t want more social media”, saying the ones they already have absorb “a lot of time” in their daily lives. life.

In this dilemma between the desire to have a digital presence and the desire to enjoy everyday moments without using a screen, the question remains: why do we feel the need to have multiple social networks?

Sociologist Vitor Ferreira explains that social networks are a kind of “stage” where people can express themselves and they are even more important for young people as they discover and build their identity, for which they feel the need to present themselves the way they are. want. be perceived.

“Social networks for young people are, first of all, a space for communication, self-presentation, self-expression – but also for self-expression,” he explains. This is because the “I” we show to the other is always presented “in context”, hence the concert stage analogy where “we only show what we want to show”.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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