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New York Occasions moves employees out of Hong Kong amid press liberty fears | Environment information

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The New York Times is shifting aspect of its Hong Kong bureau to Seoul, amid expanding worry about the affect of new national security legal guidelines on the freedom and basic safety of the push.

The US outlet will relocate its electronic team – about one particular third of its present Hong Kong bureau – to the South Korean money over the next year, it claimed. Correspondents and print manufacturing groups for the Worldwide New York Situations, the paper’s European and Asian edition, will keep in Hong Kong.

Staff had been educated of the shift in a memo from editors and executives on Tuesday.

“China’s sweeping new nationwide stability regulation in Hong Kong has produced a good deal of uncertainty about what the new regulations will imply to our operation and our journalism,” it mentioned. “We sense it is prudent to make contingency ideas and start off to diversify our modifying workers all over the region.”

A New York Instances report on the relocation reported some of its employees experienced struggled to protected function permits, which had hardly ever been an difficulty Hong Kong in the previous.

“With the city facing a new period beneath tightened Chinese rule, Instances editors established they desired an supplemental foundation of functions in the region,” it claimed.

On 30 June, Beijing imposed sweeping nationwide stability guidelines on Hong Kong, bypassing the semi-autonomous region’s personal legislature, that outlaw subversion, sedition, terrorism and collusion. Nevertheless, the legal guidelines have been criticised as so wide and ill-described that even the most benign functions supporting independence can be considered as illegal.

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The legality of journalistic techniques in Hong Kong is also unclear, and inquiries to the Hong Kong government have drawn only warnings that the push will not be specific as long as journalists abide by the new legal guidelines.

The editor of the Hong Kong Cost-free Push, Tom Grundy, wrote in the Guardian on Tuesday the guidelines experienced been designed to have a chilling impact on media.

“The government will not give us straight responses to issues about the safety law – and that is by style,” Grundy explained. “Fuzziness is a function, not a bug – the authorities want journalists to overcompensate, idea-toe all around ill-described pink lines, and in the end self-censor.”

Workers from the New York Periods, the Wall Avenue Journal, and the Washington Article were expelled from mainland China previously this 12 months, amid continuing diplomatic hostilities around international media dependent in the US and China.

“Hong Kong has been a chief in supporting the rights of a free press in Asia for many years, and it is critical that it carries on to do so,” New York Instances spokeswoman, Ari Isaacman Bevacqua, stated.

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Portuguese historical films will premiere on 29 December.

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Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS 'There will be room'

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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