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Jackie Robinson-Pee Wee Reese is a duo of eternal greatness, equality



Jackie Robinson-Pee Wee Reese is a duo of eternal greatness, equality

This week The Post takes a new look at the “best of” New York’s sporting history – an area that is equally worthy of debate, but it has never been debated endlessly. Today’s edition: best double play combos.

There is greatness, and then there is impact.

To contribute one to convince you of a place in history. To achieve both? Yes, it’s one double game.

Of course, Pee Wee Reese and Jackie Robinson get the nod for the second best short-basestop pair in New York baseball history. Both of them get a placard at the Hall of Fame. While the striped duo Bucky Dent / Willie Randolph and Tony Kubek / Bobby Richardson and Mets’ Edgardo Alfonzo / Rey Ordonez deserve to be honored for their team’s excellence and success, none of the six who joined the twin Dodgers Brooklyn duo killers in Cooperstown, although Kubek received the Ford C. Frick Award from Hall for his broadcast skills.

But the fact that the two men hold a special place in the hearts and minds of people who have never even seen them play, that their bond holds as much resonance as ever, speaks volumes about its effects.

“It’s all about equality,” Sharon Robinson, Jackie’s daughter, said in a telephone interview. “A white man and a black man play an important midfield position, and with the same strength and strength, they play this extraordinary game.”

The Brooklyn Dodgers’ John Jorgensen (b. To r.), Pee Wee Reese, Ed Stanky and Jackie RobinsonThe AP

Jackie Robinson certainly broke the color barrier of Major League Baseball, becoming the first post-1900 African-American player when he joined the Dodgers in 1947; he actually played at first base exclusively that season before turning to the keystone in 1948. He worked as Reese’s main midfield partner until 1952, and the two players joined to get 67.1 wins over replacements, according Baseball-Reference, when the Dodgers won two National League Flags, finished second and third once.

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“They are the core of our defense,” said Carl Erskine, who led the Dodgers from 1948 to 1959. “They were intelligent, consistent and extraordinary.”

Erskine, 93, continued, “The unique thing about Jackie playing in second base, he is so fast. I have never seen it backhand ball. He is always in front of him. … Jackie is not an acrobat. He is not like a ballet dancer. He is a strong and well-built individual. He is like a steel worker. He would step on the bag and throw two feet off the ground. “

The right hand praised Reese for his mastery of putting himself in the right place and making a difficult pickoff at second base.

Robinson moved to the left in 1953 and then the third base in 1955; he reached a total of 36 matches in second place from ’53 to ’56, at which point he retired. While he played with other future Hall of Famers such as Roy Campanella, Sandy Koufax and Duke Snider, his relationship with Reese stood out to the point that Brooklyn Cyclones, Mets’ Class-A affiliation, honored the pair in 2005 with a statue in the MCU Park.

The Brooklyn Dodgers statue legendizes Pee Wee Reese and Jackie Robinson outside Keyspan Park.Kevin P. Coughlin

The statue, featuring Reese with his arms around Robinson, has sparked some discussion of his own. It happened, an incident that allegedly occurred early in Robinson’s career in which Reese linked him with racist fans who were hostile in a road game by openly supporting his teammates on the field, might never have happened. The Robinsons lobbied for the statue to portray the two men in action, turn the two men upside down, and not win.

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However, the family embraced the statue and its meaning: Not so much understanding as acceptance or tolerance as Sharon Robinson said, “equality.” The term “equalizes strength,” he said.

We found ourselves intensely discussing racial relations once again after the alleged murder of George Floyd at the hands of Minneapolis police officers. Asked how he thought his father, who died in 1972, would feel about the current situation, Sharon Robinson said, “I think he would, like us, just be devastated. But we strongly believe in protests, and protest marches, and have a voice. He will be very proud of the young people who have mobilized and are out there. “

We want to know what Jackie thinks, that we see him and Pee Wee as role models for diversity and equality and excellence, speaking to the greatness and impact of the two men. More than half a century after they last worked together, they remain the gold standard for their fields in everything.

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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