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Italy won the 2021 Eurovision Song Contest. Portugal in 12th place

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Italy won the 2021 Eurovision Song Contest.  Portugal in 12th place

Rock and roll never dies“or” Rock and roll will never die. “This was the message that the Italian band glam rock Myaneskin on stage reacted to Saturday’s victory. When conquering televoting noisy “Shut up and okay“denied the favoritism of the professional jury of works from Switzerland and France.

In addition, for the first time since 2010, the country “big five“The festival wins in a closed and exciting final, where the final classification must be determined until the last moment.

But if Italy and France were highlighted at the top of the table, the remaining four songs that automatically made it to the finals (since they belong big five or host country) were at the opposite end, occupying the last four places, with a focus on music from the United Kingdom, which received no jury points or televoting.

Before today’s victory, Italy won the Eurovision Song Contest in 1964 and 1990. The country took first place this Saturday with a total of 524 points. In recent days, bookmakers have already put Italian music among the favorites to win.

Immediately after that, France came in second with the topic “Voila“as interpreted by Barbara Pravy (499 points), a theme that was also noted as one of the favorites this year. Switzerland came in third with the theme”The whole universe”, Scored 432 points.

Dai og Gagnamagnið from Iceland took 4th place with song “10 years“(378 points) and Ukraine took 5th place, with”more“, from Go_A (364 points). Finland ranked 6th in music”Dark side”, From“ Blind Channels ”(301 points).

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“I’m breaking down”played by Destiny Malta finished 7th with 255 points, followed by “Disco”from the group The Roop, representing Lithuania (8th place with 220 points).

Russia, with music “Russian woman”from Manizhi took 9th place (204 points), and Greece received 170 points with “The last dance”, by Stefania. Bulgaria ranked 11th in topic “Growing up means getting old”performed by Victoria.

Portuguese group The Black Mamba took 12th place. place with the theme “Love is on my side“. For the first time, Portugal performed a song entirely sung in English. The song was written by Tatanka, the vocalist of this group, formed in 2010.

12º – Portugal – “Love is on my side” (Black Mamba)

The result achieved this Saturday was one of the best in the history of Portugal’s participation, with a total of 153 points.

Last Thursday, The Black Mamba secured a spot in the finals, making it to the top 10 most played songs in the second semi-final.

While Portugal’s song is nowhere near the top favorite to win, it caught the attention of Europe, finishing in 8th place at bookmakers after Thursday’s performance.

Also, to take advantage of all the enthusiasm that has arisen around this event, the Portuguese group these days released a new single, Crazy Nando, whose video was recorded at the hotel where they had been for the past few weeks in Rotterdam.

Portugal entered the competition for the first time in 1964, winning for the first time in 2017 on the theme “Love for two», Performed by Salvador Sobral, composed by Louise Sobral.

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Even in 12th place, the Black Mamba got the second best result in the history of Portugal, surpassing the points achieved by Lucia Moniz in 1996 for the theme “My heart has no color” (96 points).

Pandemic Eurovision

Due to the pandemic, all 39 countries that participated in the semi-finals and finals have recorded their performances to guarantee participation in the event in case there was no opportunity to go on stage or travel to Rotterdam during the festival.

The first semi-final was attended by Australia, which has participated in the festival since 2015 and as a result did not make it to the final, presenting a pre-recorded performance, since the delegation was unable to travel to the Netherlands.

In the second semi-final, Daði og Gagnamagnið from Iceland did not present their music live, as one of the band members tested positive for Covid-19, but was still able to qualify and took part in this final also through recording. repetition.

Who also tested positive for Covid-19 was Duncan Lawrence from the Netherlands. Winner of the previous Eurovision festival in 2019 with the theme “Arcade“, Was not physically at the Ahoy Arena in Rotterdam to give testimony to this year’s winners.

It should be recalled that in 2020, for the first time since the creation of the Eurovision Song Contest, in 1964, the European Broadcasting Union (EBU) canceled the competition, which was supposed to take place in May last year, given that all conditions were not met. met in connection with the pandemic situation.

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This year, despite the pandemic, viewers could watch live for the two semifinals, as well as for the final: 3,500 tickets were sold for each show.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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