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It Was All a Lie review: Trump as symptom not cause of Republican drop | US information

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Stuart Stevens’ It Was All a Lie is a sustained assault, the two jeremiad and confession, on the Republican get together he served for 40 yrs. His is the hand at Belshazzar’s political feast: “All of these immutable truths turned out to be marketing and advertising slogans. None of it meant anything. I was the man performing for Bernie Madoff who in fact thought we were truly wise and just crushing the marketplace.”

Stevens, a consultant, is refreshingly frank about his position and duty. “Blame me,” he writes, introducing: “I had been lying to myself for decades.” He seeks a new leaf on a “crazy plan that a return to personalized duty begins with private responsibility”.

Unsurprisingly, he commences with race, “the unique Republican sin … the key in which considerably of American politics and undoubtedly all of southern politics was played.” Given that the Civil Legal rights Act of 1964, Republicans have had issue captivating to African American voters. Stevens is not surprised.

“What comes about if you expend many years targeted on attractive to white voters and dealing with non-white voters with, at most effective, benign neglect? You get great at carrying out what it usually takes to enchantment to white voters.” How, for occasion, does a black man or woman hear an “avowed hatred of government”?

The plan results are shocking the electoral effects only recently arrived into concentration as demographics modify. But the technique “was so clear that even the Russians adopted it, making an attempt to instigate tensions among the black voters to help Trump win”.

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This self-deception extends to other regions, notably international plan, in which “the Republican celebration has gone from ‘Mr Gorbachev, tear down this wall’ to a Republican president who responds to Vladimir Putin like a stray doggy, eager to observe him home”. All without a lot protest from people who know far better.

Stevens thinks Donald Trump “just removes the requirement of pretending” Republicans care about social troubles. As a substitute, it’s all about “attacking and defining Democrats”. The concept that “character counts”, so outstanding in earlier decades, is neglected.

In brief, stripped “of any pretense of governing philosophy, a political celebration will default to currently being controlled by those people who shout the loudest and are unhindered by any semblance of normalcy”. The initial casualty is the fact. “Large features of the Republican get together have created a collective choice that there is no objective truth” and that a cause or easy entry to energy is a lot more important.

Instead than declaring the sky is green, the new tactic is “to build a globe in which the sky is in reality eco-friendly. Then everybody who says it is blue is obviously a liar.” Sadly, it has labored. Stevens notes that once “there is no obstacle to the craziest of concepts that have no foundation in reality, it is straightforward for Trump to take 1 modest bit of truth and spin it into an elaborate fantasy.”

He rightly calls this dread and cowardice: “To willingly comply with a coward towards your individual values and to place your personal power previously mentioned the good of the country is to grow to be a coward.” People know much better – which include Republican users of Congress – but will not speak. Yet Stevens recollects that the “story of Faust is not just that Mephistopheles takes your soul, he also does not supply on what he promised.”

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The solution is easy. “You can generally say no. I so want Republican leaders would test it”.

What was Trump’s function in all this? Each enabler and someone who took a shaky basis and crushed it. Trump “brought it all into clarity and manufactured the pretending impossible”. For Stevens, the GOP “rallied behind Donald Trump simply because if that was the offer wanted to regain energy, what was the difficulty? For the reason that it had generally been about electric power.”

Stevens has significant praise for two former clientele, George W Bush and Mitt Romney, “decent men who experimented with to dwell their lives by a established of values that represented the finest of our society”. But neither could acquire nowadays. He rates George HW Bush’s impassioned resignation letter from the Nationwide Rifle Affiliation following the Oklahoma City bombing in 1995, and realizes handful of would do so now.

Stevens is deeply worried about the long term of American democracy, comparing some exams in the analyze How Democracies Die with steps under the Trump administration.

With just one celebration owning failed its “circuit-breaker” position, he cites the “urgent need for a center-right get together to argue for a diverse vision and governing philosophy” as Democrats drift still left. While average Republican governors continue to be common, he is distinctly pessimistic today’s Republicans can be that get together, as they have “legitimized bigotry and dislike as an arranging theory for a political social gathering in a country with a special job in the world”.

Stevens has tiny hope the GOP will help you save by itself from Trump or rise to the obstacle of adapting to an ever more non-white The usa. Losing, badly, is his only hope for concentrating Republican minds to the new actuality of American demographics. Absent that, his prescription is definitive: “Burn it to the ground and start around.”

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The previous might transpire. The latter is fewer predictable.

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Portuguese historical films will premiere on 29 December.

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Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS 'There will be room'

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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