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How loving Eric Clapton became hated denial around the world

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How loving Eric Clapton became hated denial around the world

Conor Clapton was four years old when, as a result of a tragic accident, he fell from the window of his family home in New York on the 50th floor of an apartment building. Father Eric Clapton, one of the most prolific and talented musicians on the planet, banished pain with one of his most famous creations.

With Tears in Heaven breaking sales records, the world was touched by Clapton’s pain. Thirty years later, the world seems to have come together in a common hatred for the guitarist who debuted with the Yardbirds, exploded Cream and cemented his solo legend as one of the finest in rock and blues. But what makes the hero fall from the altar and become the object of such anger?

The latest episode, featuring the 76-year-old musician, made headlines around the world, not only because of his apparent insensitivity, but also because of his caricature of one of the most successful artists of his time.

All this happened when a German woman was summoned to court after trying to sell a pirated copy of Clapton’s recording on the Internet for about 15 euros. The 55-year-old German woman was sentenced to pay more than € 5,000 under the threat that if she tried to sell the album again, she would face a fine of around € 400,000 and a six-month imprisonment.

“Germany is a country where the sale of pirated copies is widespread, and it hurts the industry and customers due to poor quality and misleading recordings,” said Clapton manager Michael Eaton.

In turn, which did not convince fans, Clapton this Thursday, December 23, announced that he would not withhold the money that the court decided to collect from the German. “This is not the person Eric Clapton or his publisher is targeting,” the statement said.

This battle between David and Goliath is far from the only stain on Clapton’s image, who has taken advantage of the pandemic to prove himself as fervent denial. The conspiracy theories touted in the past two years have shocked fans, but especially friends and former colleagues of the musician.

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Also in the summer, Clapton refused to give concerts in concert halls, requiring the presentation of a certificate of vaccination. A couple of months ago, he launched an angry public debate against vaccines.

“I took the first dose of AstraZeneca vaccine and immediately experienced a severe reaction that lasted ten days. I eventually recovered and was told that I would need to take another 12 weeks later. Six weeks later, I was offered a second dose and I moved forward, this time with more knowledge of the dangers, ”he wrote.

“It goes without saying that the response was disastrous. My arms and legs were frozen, numb, or burning. They have not been used for two weeks. I was afraid that I would never touch it again – I have peripheral neuropathy and I should never have even gotten close to a needle. But the ad said the vaccines were safe …

Some fans were shocked, others were quick to recall that the symptoms Clapton identified, besides not even being similar to the most common ones – and identified by a pharmacist in clinical trials – were already a complaint from the musician in 2013. , which he then explains as the consequences of neurological problems.

By this time, the world could predict that Clapton was not the biggest proponent of the pandemic response. In late 2020, he teamed up with Van Morrison to sign an issue that vehemently objected to the conclusion.

“Do you want to be a free person or do you want to be a slave? Do you want to listen to these currents while you are not in your grave? “- read the lyrics of the song” Stand and Deliver “. And this is against the backdrop of constant comments on the Internet and off the Internet, where the musician questions everything from scientific research to expert opinions, which he classifies as “pure propaganda.”

Clapton looks depressed. On a podcast, he learned that his own family and friends considered him “a little crazy.” “Over the past few years, I have seen many disappearances, many people fleeing quickly. It was a way for me to improve my friendship. It boils down to a group of people that I clearly love and need. “

One longtime friend who decided to cut ties was Robert Cray, a blues musician who was shocked by Clapton’s choice to mix slavery and imprisonment into a “Stand and Deliver” theme. He sent you an email to clarify the matter.

“His reaction was to tell me that he meant the slaves of England,” he says. Clapton never backed down and Cray did not respond, in addition to canceling his performance on the British musician’s North American tour. This did not stop Clapton from returning to launch two more imprisonment topics.

“I’ve talked to other musicians, old friends, great artists, and I won’t reveal who they are, but they all say, ‘What the hell is he doing? “Says producer Russ Titelman, who worked with Clapton on his film. record record “Disabled”.

“I haven’t spoken to anyone who knows Eric has the answer,” says drummer Jim Keltner, who has known Clapton for over five decades. “We are all in the same boat. Nobody can understand what’s going on. “

The British guitarist’s bad reputation has sparked other controversy lately. Rolling Stone, in a lengthy clip about the musician’s new black face, is reminiscent of the controversial episode in which Clapton starred in 1976.

Onstage, clearly drunk and under the influence of drugs, Clapton decided to take part in a political campaign and publicly show his support for the far-right politician Enoch Powell and an ardent supporter of anti-immigration laws. Without letting him predict, Clapton asked the public if there were any foreigners among them.

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“I don’t want you to be here in this room or in my country,” the musician said. “Listen to me, I think we should all vote for Enoch Powell, he is our man, he is right: we should send them all away.”

The speech could have ended there, but no. “Don’t let Britain turn you into a black colony. Send foreigners away. Drive out the scum. Drive out the blacks. “Keep Britain white,” he said. “I used to love drugs, now I enjoy racism. It’s much heavier. “

Clapton is forever lost. “Send away the squatters, blacks, Arabs, Jamaican bastards. They don’t belong here, we don’t want them here (…) What is happening to us? “

Due to the problem of alcohol and drug addiction, Clapton had to wander through each chapel, asking forgiveness for the disaster. I didn’t. The apology came timidly and dearly. He even called racist remarks “something comical.” “I’m not very good at politics. I don’t even know if this is good or bad for him [Powell] won. I don’t know who the prime minister is. I don’t know what came over me that night. Something must have happened that day, but it turned out strange. “

He confirmed that he was not a racist in 2004, but he adhered to the view expressed in 1976: Powell’s immigration policy was correct and the politician was “extremely courageous.”

“I am a little confused by the fact that I was a little racist, which does not make sense. Half of my friends were black, I dated a black woman and represented the genre of black music, ”he explained in a documentary about his life. “I’m not sorry, it was terrible to say,” he noted before immediately turning back. “I even think it was something funny.”

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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