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England v Pakistan: Tourists follow on despite Azhar Ali century

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England v Pakistan: Tourists follow on despite Azhar Ali century
Third Test, Ageas Bowl, Southampton (day three of five)
England 583-8 dec (154.4 overs): Crawley 267, Buttler 152
Pakistan 273 all out (93 overs): Azhar 141*, Anderson 5-56
Scorecard

England forced Pakistan to follow on on day three of the final Test at the Ageas Bowl despite a defiant century by visiting captain Azhar Ali.

Azhar’s controlled 141 not out dragged his side from 75-5 and the point of implosion in reply to England 583-8 declared.

He shared a sixth-wicket partnership of 138 with wicketkeeper Mohammad Rizwan, who battled to 53.

After Rizwan was removed by Chris Woakes, England could have run through the tail had it not been for an incredible passage of play that saw three catches dropped in the space of 10 James Anderson deliveries.

Anderson eventually had last man Naseem Shah caught at third slip to complete figures of 5-56 and move to 598 Test wickets.

With Pakistan 273 all out, 310 behind, they were given half an hour to bat again in the evening gloom, and Azhar promoted himself to open.

However, just as the players returned for the start of the Pakistan second innings, the umpires decided the light was not good enough to resume.

With rain forecast for Tuesday, there may be added pressure on England to wrap up victory on day four in order to seal a 2-0 series win.

England made to work hard

With such a massive total on the board and Anderson charging towards 600 Test wickets, England seemed primed for a rush towards victory in a rain-interrupted morning session.

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However, it is to the credit of Azhar and Rizwan that Pakistan dug in and made the home side work hard.

On a slow, flat pitch, England had to cycle through their options, particularly when the ball got soft.

Jofra Archer bowled as quickly as he has since last summer’s Ashes and Dom Bess found turn, but there was a period in the afternoon when batting was comfortable.

It was at that time that England could have used the inspiration of a crowd, or the magic of the absent Ben Stokes.

Still, they were only ever one breakthrough away from Pakistan’s long tail, and it was their poor catching that delayed the inevitable.

Azhar’s defiance

Azhar has struggled with the bat since being appointed captain at the end of last year, part of a wider lean run that had seen him pass 40 only once in his previous 18 innings.

This, though, was a determined return to form, produced when Pakistan were in huge trouble and celebrated joyfully by his team-mates.

Circumspect at first, he gradually found fluency. Azhar scored only 29 runs from his first 112 balls, then 74 from his next 93. He was strong square on the wicket on both sides.

The combative Rizwan, who took a nasty blow to the helmet from Archer, provided doughty support in the largest partnership made against England this summer.

However, when Rizwan tickled Woakes down the leg side to be caught by diving wicketkeeper Jos Buttler, the lower order was exposed to the second new ball.

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Even then, Azhar managed to drag 60 more runs out of the last four wickets, with the skipper benefitting from two of England’s drops and remaining unbeaten.

England’s mixed day

With Pakistan resuming on 24-3 and Asad Shafiq tentatively poking Anderson’s sixth ball of the day to Joe Root at first slip, it seemed set to be a straightforward day for England, especially after Bess’ ripping off-break took the edge of Fawad Alam.

That was the first of three excellent catches by Buttler, whose keeping had previously been under fire, the best of which was a flying grab down the leg side to hold Shaheen Afridi off Stuart Broad.

Skipper Root also held two smart catches, with England doing a professional job before things fell apart in the fading light late on.

First Azhar was missed by Rory Burns at second slip, then, two balls later, fourth slip Zak Crawley put down a straightforward chance to reprieve Mohammad Abbas.

In Anderson’s next over, a comical passage of play saw Broad put down the simplest catch off Azhar at mid-on, only to angrily hurl the ball at the striker’s end, hit the stumps direct and run out the dawdling Abbas.

When the innings was finally wrapped up, there would still have been time for Anderson to attempt to reach his next milestone, only for the bizarre sight of the players being sent back to the dressing rooms before they could get to the middle.

‘Pakistan’s partnership was special’ – analysis

by Michael Vaughan, former England captain on the Test Match Special podcast

Pakistan, when they lost the early wicket this morning, many of us thought they would fall in a heap, but then Azhar Ali came out.

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He played some glorious shots, and in Mohammad Rizwan they have found a fighter, a character. That partnership was special.

I just hope James Anderson can grab a couple tomorrow and go home with some positivity of thought in his mind.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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