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Don’t look up. What separates believers and unbelievers between reality and fiction?

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Don't look up.  What separates believers and unbelievers between reality and fiction?

In fact, the past two years have been, to put it mildly, chaotic around the world, and more and more events are happening that make us question the role we have played in what is our home – on planet Earth.

The covid-19 pandemic, the attack on Capitol Hill by Trump supporters, the return of the Taliban to Afghanistan and the hasty withdrawal of Americans, or even increasingly worrisome reports of climate change. If a few years ago we tried to look into the future, would we change something in our behavior?

Also, while denial focused on ideas, for example, that the earth was flat, we let the danger that was already lurking slip away from us without realizing it. The covid-19 pandemic and the growth of anti-vaccination groups have exposed one of the main dangers of modern society, such a simple one as lack of consensus and lack of faith in science.

And it was the desire to reflect on this paradigm that led American director Adam McKay to create his latest feature film Don’t Look Up, an “astronomical” production, both in its special effects and in its theme and cast: it brings together great stars such as Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Jonah Hill, Cate Blanchett and Tyler Perry, Timothy Chalame, Mark Rylance and others, in a satirical story about the end of the world due to a possible comet collision. with the Earth.

Scenario Released on December 24 both in theaters and on Netflix’s streaming platform, DiCaprio has grossed € 30 million in a short time, and Jennifer Lawrence another 24 million seems to have no competition. However, it also sparked excitement on social media, gained a large following and became disenchanted with production.

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In the film, astronomy doctoral student Keith Dibiaski, played by Jennifer Lawrence, discovers the existence of a large-scale asteroid four to nine kilometers in diameter. She and her advisor, Dr. Randall Mindy (Leonardo DiCaprio), confirm that she will collide with Earth within six months, ending the world. Desperate, they make contact with top NASA officials and head to the White House.

When a pair of scholars confront the disdain of US President Janie Orleans, starring Meryl Streep, a kind of Donald Trump in skirts, the film begins to exaggerate behind the scenes political and media movements. … Since the president considers them “low-ranking” scientists, researchers are not taken seriously, believing that they are “forced” to resort to the press: first a large-circulation newspaper, and then a television program that ends with “ridicule.” »Their image.

The media is more interested in topics such as divorces between music stars, the presidency is more focused on making money than protecting its citizens, and academics desperately need someone to listen and help.

Along with criticism of the political system and the press, there is also a mirror of what “our behavior” is on social media. The student whom Lawrence “gives life” becomes a meme, becomes a target of misogyny and becomes a kind of “villain” in the public sphere precisely because she warns of the “end of the world.”

In turn, DiCaprio, as in many real cases, thanks to his physical beauty and gender, wins the sympathy of the audience, which can be considered as a “durable” machismo present in society – since it was his student, a woman, who discovered the asteroid.

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similarity to reality Then comes the alliance between politicians and mega-businessmen who “know little what they are doing,” showing the capitalist reality that we are inscribed in, always looking at the number of voters and dollars; the entertainment of tragedies with the performance of the artist Ariana Grande; denial promoted by governments and the huge ongoing problem of media full of fake news, “politically correct” speeches and fantasies in front of screens, full of “smiles” and with so little bro and professionalism. “How did we end up here? What are we going to do to understand each other again?” DiCaprio asks desperately in one of the most intense scenes in a feature film.

So it looks like what was meant to be “satire” may end up haunting audiences due to the size of the realism and the similarities to the times we live in. This asteroid, which some stubbornly deny, even when it is already visible from the sky, is also a metaphor for climate change, a reality that some states insist on “closing their eyes” because it brings them some benefit.

The director shows for two hours and 18 minutes of the film, as a blind denial, the ability to expose everything that we have, “at risk.” Maybe that’s why some already love the production, and many hate it. Also, while it may also sound like a metaphor for a pandemic, the production of the film began in November 2019.

The importance of production “I think we all see this film as an incredibly unique gift,” DiCaprio, one of Hollywood’s most environmentally active actors, told CNN. “We were trying to get the message across about the climate crisis, and Adam McKay was able to crack the code by creating this story,” he added, admitting that he had been looking for a film about the climate crisis for some time. but finding the right approach was not easy. “Either you’re making a film about an existential journey through a person’s life, or making a disaster film in which New York freezes over,” he explained.

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DiCaprio also said that he was attracted to the script of the film because he “wanted to support scientists”: “I wanted to take off my hat to people who are dedicated to this problem, who know what they are talking about and are trying to give them a voice. I hope that films like this will start different conversations and more people will talk about this topic, which will ultimately put pressure on the private sector and the forces to implement change. ”

In the same interview, when asked about the name of the production, Meryl Streep admitted that she “still does not watch.” “We are not looking up yet, but we are doing everything in our power. There are many people who put themselves at risk and may be ridiculed, but the rest of us just risk being destroyed without paying attention to them, ”defended what is considered one of the greatest icons in Hollywood.

The film has already been nominated for a 2022 Golden Globe for Best Comedy or Musical, and Leonardo DiCaprio and Jennifer Lawrence have been nominated for Best Actor and Actress in the Musical or Comedy category.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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