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Carolina Deslandes on scrutinizing her songs: ‘She talks about it, that’s why she asks for them’

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Carolina Deslandes on scrutinizing her songs: 'She talks about it, that's why she asks for them'

This Sunday, July 10, in Mainland food festival in Parque da Cidade do Porto and chatted with the Fama website. Busy schedule and anxiety, musical movement in Portugal, double album and more. Carolina Deslandes left nothing unsaid.

Before her eldest son Santiago’s year-end party, the singer was excited that 2022 would be her final return to the stage after two years in which the pandemic changed all plans.

“Took less than a month of vacation in five years”

Credits: Sebas Ferreira

Me and my team are always crying.” begins with a story about the emotions associated with getting back on the road and going on stage. “It really is the adrenaline of live performances that we missed and left sweaty. Addiction and being with people toohe points out despite his fatigue.

Carolina Deslandes did not stop between concerts (postponed by two years) and recordings Children’s voice. But there is more. “I compose for myself and for other artists, I’m going to do Nova Cinderela no Gelo again, but for now I’m a mother of three, one of them is on the autism spectrum… when I saw my schedule, I thought: ‘ How will I spend this year?‘, remember.

In 2021, speaking about mental health on social media, Deslandes noted the importance of forgoing beauty and pride in the word “workaholic”. [alguém que trabalha compulsivamente]. Will the singer have time to enjoy what she has achieved in her 10-year career? The answer was not long in coming.

No. I have no. I must be honest. You have to make an effort, because people deserve to see you. [perante os adiamentos de concertos]but I can tell you that in the last five years combined I have taken less than a month’s vacation.” assumes a singer who intends to have fewer obligations in 2023.

Say “no” to say “yes” in small things

On the week she is not with her three children, Carolina Deslandes concentrates most of her work, which she can next week, with Santiago, Benjamin e Williamventures into the mundane moments of the day. “Cooking pancakes, taking the kids by the pool, picking them up early from school, going to the park. To do even what many parents cannot … although this is not a vacation, ” reflects.

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To do this, he began to say “no” to dinners with friends more times, for example. An enthusiastic “yes” can ruin time with children or rest between concerts. “I wanted to go to the concert, but I have four of my own this weekend, so I won’t. I always have to measure what I can pierce. Is it a way of life? No. Next year I want my schedule to be more structured.“, reveals.

“Let the songs be imaginary, I don’t have to tell everything”

After Unmarried in advance, Pass, Deslandes has explored more facets of her voice – courtesy of singer Diana Castro – and promises a double album this year: Chaos e serenity, one produced Diogo Clementemusician, producer and father of three children, and another under Play, singer and artist’s best friend.

“I have two most important projects. It’s a very emotional and beautiful process, and both touch different parts of me. The album is coming too portray the phase of divorce, the most difficult phase of my life”,the composer moves forward. Returning to this less positive phase is not easy. Deland admits that in order to write, you need to be transported to the moment when it happened – I can no longer interpret in terms of distance.

But what is selected in such a personal album and what is not? According to the singer, everything is spelled out and everything is composed, and making a choice is for later. “I don’t think you are filtering. I write very autobiographically, but sometimes there are emotional states that have no duration. [ou importância] in your life. You can talk about your pain, but do you want it to be immortalized in song?”, question.

With media coverage and over 950k followers on Instagram and voice in the media – and interest in her personal life – their songs are often a game of “who is this for?” and “Is this message/indirect?”trying to reflect what is known from your life and reduce what is your creative voice.

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“It’s always something difficult for artists, especially with my level of media coverage. They confuse my frankness with ‘she talks about it, that’s why she asks them’ . Sometimes a careful study of what is behind the song is more important than the song itself. And it’s a bummer. Let there be things in the song that aren’t really explicit, because even though I wrote it and it’s about my life, I want everyone to feel that it’s about the lives of people who need to hear it. Let the songs be imaginary. I don’t need to tell you everything.” ask.

“I don’t believe in a good artist who is not a good colleague”

Among the inspirational phrases, outbursts, behind-the-scenes moments, there is another constant element of what he shares on his social networks: the promotion of new artists, names that he discovered and never even collaborated with. The singer is even looking for faces – who “don’t duet with anyone” or are “little known” – for her album.

But why share someone else’s work? And why aren’t more people doing it?

“I can tell you that we have such a small industry and so many people who make music, write it, release it and do it well … But it seems that we have always been told that “no room for everyone”. It’s that “you’re friends with this person, but you have to protect yourself because he’s competing with you.” And it gives the feeling that I should think about myself first, because this is our source of livelihood.‘ begins with an explanation.

instagram reproduction

When it’s time to choose who will go to the festival, it’s between the two of you”, takes as an example, confirming that competition is even more emphasized among women. Such observations are not new, and in larger markets such as the United States, singers such as Christina Aguilera and Kelly Clarkson have already spoken about how rivalries are built, not only baseless, but even coming from within the industry itself, fueling rumors and even deepening discussions between fans.

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“I don’t believe in a good artist who is not a good colleague.. So if I’m promoting or promoting other artists, does that mean I’m beyond my powers?”, questions that prove the opposite is true.

Singer and Barbara Tinoco (reproduction from Instagram)

Movement in Portugal and the musician who deprived him of sleep

Deslandes believes that the increase in quantity and quality will only force the Portuguese industry to expand. More names, more jobs. “I like to think that in a few years they will look back and say, “How incredible it was to live during the creative explosion, when many began to compose music at home, recording video clips on the phone.” I am part of the movement”, he notes, emphasizing that he wants fans and followers to know about this creative center.

I love being shown new songs and playlists“, he says, pointing out that many of them met through their best friends. “me when i heard Walter Lobo, I looked through the entire discography and did not sleep until five in the morning. And that makes me like my job more.” he assures.

Continental Gastronomy Festival

This Sunday in the city park of Porto, Carolina Deslandes performs at a free festival. the poster features Pedro Abruños and Daniela Mercury. At the concert, Deslandes promises to sing new songs in a show that will bring many families together.

I do not feel that the grandmother feels out of place, mother or granddaughter. There is a place for everyone there.” Tell us about your concerts. “I’m not a brilliant artist, I like to be a good communicator, I love to talk. It makes sense for me to talk to people, put them in context about the songs and get the message across. If you give me a microphone and a stage, I won’t leave without saying what needs to be said.”full.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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