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The digital building opens the door to the world and more European and possibly African architects.

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The digital building opens the door to the world and more European and possibly African architects.

New Casa da Arquitectura Portal was released this weekend. nicknamed digital building opened its doors to the world for the purpose democratize access researchers and students free of charge in the collection of several leading names in Luso-Brazilian architectureincluding two Pritzker Prize.

Portuguese Prime Minister António Costa and Pritzker 2011 Eduardo Souto de Moura supported launch of this new portal. Both point to a wider European and even African presence on the archival platform currently available from anywhere in the world.

The digital building is a virtual version of the Casa da Arquitectura itself. THIS “live” project and who intends to grow by attracting more international architects, as one of the most emblematic “residents” in the archive, Portuguese Eduardo Souto de Moura, Pritzker Prize 2011the equivalent of the Nobel Prize for World Architecture.

“There is a chance (to shelter) the great Spanish architect. We are waiting for the best funds. Today the Prime Minister came here, this is a good sign for us to become more international in collecting these trophies. Europeans, for now, and possibly Africans,” he said. Golden Lion at the Venice Architecture Biennale 2018.

Souto de Moura’s revelations came a few minutes after Prime Minister of Portugal also mentioned in the microphone to Euronews the desire that this digital Casa da Arquitectura building become the “home” of architects from “other geographic regions”, in addition to the inevitable Portuguese-Brazilian names, already with collections “living” in Matosinhos.

“The fact that this digital building exists and that the collections stored and processed here can be accessed from anywhere in the world opens up the possibility for architects from all over the world to place their assets here. We have two great Brazilian architects here, Lucio Costa and Paulo Mendez da Rocha“said Antonio Costa, a self-proclaimed “friend” of Casa da Arquitectura.

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The Head of Government, accompanied by Minister of Housing Marina Gonçalves, also stressed the European Commission’s commitment to validate and develop European architecture through Program “New Bauhaus”.interdisciplinary initiative aimed at bringing together European green deal to the everyday life of citizens and to the space in which we live.

“Today, fortunately, thanks to the New Bauhaus project, Europe has accepted architecture as a central element in this dual digital and climate transformation process,” the Portuguese Prime Minister explained to us, adding that the idea is to “make architecture the engine of this transformation” and “Europe is committed” to this.

new portal

The doors of the Digital Building were opened in a ceremony led by architect Nuno Sampaio, CEO of Casa da Arquitectura.

(Visit the portal here)

The new portal is a virtual structure with three “floors”: on the first floor there is a new online store where you can purchase unique materials, on the top you can get acquainted with all the activities of the House and virtual visits to ongoing exhibitions. there since 2019 you can consult; in the middle is virtue, that is, the new noble space of the House, overlooking tens of thousands of documents donated or kept in the archive, which is now accessible from anywhere in the world.

Operating Systems already existing collections belong references to Portuguese-Brazilian architecture, with an emphasis on the “pritzkers” Souto de Moura and Paulo Mendez da Rocha, authors, for example, and, respectively, of the Municipal Stadium of Braga and the new Museo dos Coches in Lisbon.

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The digital building also allows access to the careers of Antonio Fortunato Cabral, ARS Arquitetos, Francisco Melo and Jorge Gigante, Gonzalo Birne, João Luis Carrillo da Graça, Pedro Ramalho, Teresa Fonseca, photographer Luis Ferreira Alves and the so-called “father”. Brasilia – Lucio Costa.

Nearly 10,000 documents have been properly completed, scanned and are available for review, and more than 30,000 are still being processed. The House also has space to accommodate much more materials.

The goal is to make Casa da Arquitectura epicenter of global knowledge freely available, which makes education and research in this area more democratic and accessible to all, Timor to Canada via Matosinhos.

Eduardo Souto de Moura believes that the level of Portuguese architecture is high and this new easier access to knowledge development can be beneficial, allowing look to the past to design the future.

“I am convinced that today there are two, three or four names that are identical or superior to American, Japanese or European architects. I hope that while still alive, some time later I will be able to see one of my friends win the Pritzker Prize. There are no two without three,” the 2011 winner joked, also remembering Pritzker 1992, Alvaro Sizaanother “resident” of Casa da Arquitectura, but this time a partial one, yielding the corresponding collection to the Canadian Architecture Center.

Souto Moura recalls that Casa da Arquitectura “began to be the museum of a city that was not even a city like Porto or Lisbon”, it was from Matosinhos, a place of lesser expression than the one mentioned above.

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“With the development of the work of an exceptional team, it has become a Portuguese museum, and with this chance of digitization and globalization, it becomes universal service museum”, sums up the architect, who is also responsible for Crematorium Courtray, Belgium.

For the award-winning Portuguese creative, “the more information, the better the form,” and having this digital building now helps in that sense. “What we want is to have the form of quality so that we can live better. This is the happiness of people,” he said.

The launch of the new portal ended with a debate on the topic “problems of the digital archive”, moderated by José Miguel Rodriguez, from the Faculty of Architecture of the University of Porto, with the participation of Eduardo Saron, from the Brazilian platform Itaú Cultural, the Dutchman Martien de Vletter, from the Canadian Architecture Center, and Nuno Sampaio, Executive Director of Casa da Arquitectura.

The problems start now and go through the dissemination of knowledge about architecture in the four corners of the world in the form encourage research and research at a very low price and even for free.

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Portuguese historical films will premiere on 29 December.

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Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS 'There will be room'

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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