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Rock in Rio Lisbon: the farewell that warmed up Titika and gathered 80 thousand to see Anitta – Showbiz

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Rock in Rio Lisbon: the farewell that warmed up Titika and gathered 80 thousand to see Anitta - Showbiz

He took to the stage on a motorcycle, said goodbye about an hour later and assured that he had a special day. Upon her return to the City of Rock, four years after her first performance at the Parque da Bela Vista, Anitta established herself as one of the biggest pop stars of today and was greeted by a special audience. It’s no exaggeration to say that this was one of the most anticipated shows this summer on the national stages, helping to sell out Rock in Rio Lisboa’s last performance (and the only one in this edition to reach that level).

In her luggage, the Brazilian brought a collection of hits, in the logic of which, if not everything for everyone, then wonderful eclecticism was revealed: from baile funk to reggaeton, from electronic rock hits to “Girls from Rio” – a bridge between house and the world, heritage ” Garota de Ipanema” which changes Portuguese to English and takes on other sound pollutions.

Anitta

credits: Claudia Lobo

” data-title=”Anitta – Rock in Rio Lisbon: the farewell that warmed up Titika and gathered 80 thousand to see Anitta – SAPO Mag”> Anitta

credits: Claudia Lobo

Fans, clearly eager to unconditionally join in the celebration, did not take long to follow the singer and numerous dancers, who, like the musicians (?), saw the reduced protagonist on the side screens and in the back of the stage. – and those who were at a considerable distance from the center of events (a significant part of the 80,000 present) had to resort to them to follow the movements of the artists. The problem was that the director almost always preferred to give priority to the singer, specifically her tail wagging, to the detriment of the team that accompanied her – and which, moreover, was not even represented, except for the guest MC Rebecca in “Combat”. .

The interludes where Anitta changed clothes were the only exception where the dancers performed capoeira, but the singer’s main argument was neither her voice (often leaving her with suspicion of overacting), nor her dancing (without particularly creative choreography), nor the moments when she addressed to the viewers, who repeated “You’re fucked up” and was guaranteed to be delighted with the return.

Anitta

credits: Claudia Lobo

” data-title=”Anitta – Rock in Rio Lisbon: the farewell that warmed up Titika and gathered 80 thousand to see Anitta – SAPO Mag”> Anitta

credits: Claudia Lobo

He also confessed that he was having one of the best days of his life, a strange communication, given such a mechanical presentation, in which there is no place for great spontaneity or memorable moments of communication. Even for big provocations, no matter how the lyrics and sounds of singles like “Vai Malandra” or “Envolver” seem mischievous and obscene. Unless one is shocked by the constant tail-wagging in 2022 (we remember that Madonna is sixty years old) being touted as the show’s biggest highlight, there is little to break in this assortment of urban pop music (yes, there was a shy kiss on the mouth between the singer and dancer) and many derivatives and pasteurized.

From time to time, live instrumentals could be heard, especially close to baile funk, but far from the roughness, sweat and sluggishness with which compatriots Tetine or Bonde do Rolê, among others, who helped to export the sound, had been at the party for a longer time. than ten years. Anitta takes so many spices from the original recipe that she ends up playing it safe, which didn’t stop “Sua Cara”, “Modo Turbo” or the inevitable “Show das Poderosas” (served at the end with an electric guitar cover) from matching and full of the expectations of many, who have been waiting for this concert for months.

Post Malone

credits: Claudia Lobo

” data-title=”Post Malone – Rock in Rio Lisboa: the farewell that warmed Titika and raised 80 thousand to see Anitta – SAPO Mag”> Post Malone

credits: Claudia Lobo

Ending the evening at the Mundo Stage, after HMB and Jason Derulo also passed by, Post Malone performed alone and also had a very popular venue to hear songs from the recent “Twelve Carat Toothache”, his room album released in this month. Wearing a Lord of the Rings T-shirt, the American performed to a predominantly teenage audience that never tired of singing many of his themes. As a person surrounded by friends, the singer and rapper drank and smoked, was delighted with the company and was not afraid to go on stage naked.

A shot of words between pre-recorded music, except for occasional moments on an acoustic guitar (which he ended up destroying in an alleged bout of riot to add to the usual expletives), he also engaged in a virtual duet with Ozzy Osbourne with pyrotechnics. and there was no shortage of his inside dives that traversed hip-pop, pop and r&b on topics like “Wow”, “Better Now” or “Insane” for an hour. A shorter runtime than many fans might have expected, but which, as with Anitta, won’t jeopardize a fruitful night for most of them.

Rock Your Street Power Shows

In one of the first performances of the day, Titika became one of the biggest surprises of this edition of the festival. And one of the most brilliant in the show, which also owes a lot to the magnificent group and four dancers, all at the peak of the unstoppable energy of the Angolan woman.

Between the tradition of her homeland and allusions to urban music, the transgender artist was not only charismatic and witty as she spoke to the audience, but also rocked with an exciting mix of kuduro with other rhythmic languages.

Titika

credits: Rock in Rio

” data-title=”Titika – Rock in Rio Lisbon: the farewell that warmed up Titika and gathered 80 thousand to see Anitta – SAPO Mag”> Titika

credits: Rock in Rio

Catering for sluggish sequences and others more sped up (with a big advantage of seconds), this was a particularly powerful performance when it used a clash between guitars and percussion, sometimes reminiscent of the rokuduro of the Portuguese-Angolan Throes + The Shine or the de Pongo universe (not coincidentally, Titika collaborated with former Buraka singer Som Sistema’s debut solo album, the recent “Sakidila”).

The breakers “Come e Baza” (dedicated to the Brazilian Pabllo Vittar) and “Chocalho” gained weight and strength compared to the recorded versions and showed their natural territory on stage. The same can be said for “Chão Chão”, which over the past ten years has become the greatest anthem of this journey – and had a strict choreography, with dancers and many spectators leaning at the request of the singer.

In between, the daytime stage host Rock Your Street has taunted homophobia and people “who don’t respect differences” or who haven’t been openly activist since the beginning of her career. At the end, the dancers took to the stage, performing a traditional Angolan dance and drawing the loudest applause of an infectious performance. “I wanted to show a bit of our culture outside of kuduro,” he explained, inviting fans to come on stage and follow his movements. And it will certainly make those who join the concert want to find it again on other stages – from B.Leza to the Músicas do Mundo festival or Arraial Lisboa Pride, there are many places where such a show deserves a place to shine. .

Johnny Hooker

credits: Rock in Rio

” data-title=”Johnny Hooker – Rock in Rio Lisbon: the farewell that fired up Titika and raised 80k to see Anitta – SAPO Mag”> Johnny Hooker

credits: Rock in Rio

Gathering even more people, a few hours later, Brazilian Johnny Hooker performed at Rock Your Street with a concert that also combined rhythmic shaking and interested attitude. Without hesitation, the Recife-based singer criticized his country’s “murderous government” for “deliberately delaying” the delivery of COVID-19 vaccines. This statement was one of the episodes that received the most applause from the public, mostly from his compatriot, who showed he knew his songs, many of which were about homosexual relationships (and with the right to rainbow flags with Lula da Silva in the forefront). This was the case with “Amor Marginal”, dedicated to André, the artist’s friend who died of COVID-19. “Caetano Veloso” has already paid homage to one of its references, along with David Bowie and Madonna, although those who have seen it gothic may have more in mind the iconography of “The Rocky Horror Picture Show” that this song shamelessly blends into to themselves MPB, rock, brega and even flamenco seem to be a spiritual descendant.

On the other hand, Idiotape closed one of the most interesting stages of Rock in Rio Lisbon at a time when many were already thinking about having dinner before preparing to receive Anitta. And that’s why the South Korean trio didn’t get the support their explosive sound deserved, even though they may have gotten a little too close to the edgier side of Daft Punk, Justice and other flagships of maximum French electronica. The power responsible for two elements in the programming and one in the battery still transmuted some while recharging the batteries, but it would have had a different effect after Anitta and Post Malone had said goodbye.

Rock in Rio Lisboa 2022 took place on June 18, 19, 25 and 26. The return of the festival has already been confirmed for 2024.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> injured Thiago Rodriguez

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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