entertainment
A young Brazilian actress was raped and gave the child up for adoption
Clara Castaño’s pregnancy, which resulted from rape, was kept secret, but the story became public. The Brazilian actress, who gave her son up for adoption, now opens up about the various forms of abuse she endured throughout the process, namely from those who had a duty to protect her.
Actress Clara Castaño, whom Globo audiences are used to seeing as cute Paulinha in Amor à Vida or little Clara in Amor Eterno Amor, touches Brazil with a terrifying story. A 21-year-old girl shared with subscribers that she survived a rape, as a result of which she became pregnant, discovered a few days before giving birth. The case, which by law must remain confidential, was solved, and Clara ended up publicly justifying the possibility of giving the child up for adoption.
“This is the most difficult report of my life. I thought I would take this pain and this burden with me alone. I have always kept my affective life a secret. pain. I can’t be silent when I see people colluding and creating versions of the repulsive violence and trauma I’ve endured. The letter was posted on Instagram.
In the message, the young actress recalls that she was not in her city or near family or friends when she became a victim of the crime, and explains that out of “shame” and guilt, she did not report this to the authorities at that time. “I had the illusion that if I pretended it didn’t happen, then maybe I would forget it, get over it. But that didn’t happen,” he continues, adding that the next morning he took a pill and some testing, trying “as much as possible” to continue living, focusing on family and work.
“But even while trying to lead a normal life, the damage from violence accompanied me. I stopped sleeping, I stopped trusting people, I let the shadow take over me. Endless sadness that I’ve never felt before”he says, saying only the family knew what happened.
“The facts at this point are enough to hurt me, but they don’t stop there,” she writes, eventually revealing she knew she was pregnant when she was already at the end of her pregnancy. “It was a shock. My world fell apart. My menstrual cycle was normal, as was my body. I did not gain any weight or belly. At that moment of the exam, I again felt insulted, again guilty,” she shares, regretting that the doctor who was watching her showed no sympathy. “I was not a woman pregnant by will and desire, I was subjected to violence. And even so, she made me listen to the heart of a child, said that 50% of the DNA is mine and that I will be forced to love it there “remember.
The actress explains that the child she was expecting was the result of devastating abuse, and that she did not have the emotional conditions to give her love and care. Recognizing her inability to play the role of a mother, she made a decision that she considers “more worthy and humane” by giving the child up for adoption, which required psychological counseling and various legal procedures. When the baby was born, Clara says she was treated disrespectfully by doctors who had a “legal obligation of confidentiality” and ended up being approached by several journalists who were informed of the pregnancy.
One of them promised not to publish it, but in the end the news was made public, and “with it came a thousand false information and cruel and false conclusions.” “You have no idea how much pain I feel. Everything I did was aimed at protecting the life and unborn child. Every step is documented in accordance with the law. The child deserves the care of a loving family, properly qualified for adoption, that she has no memory of such a traumatic event. And she doesn’t need to know that it was the result of such brutal violence.”.
After Clara was “first raped by a man”, Clara was “raped repeatedly by so many other people” who condemned her. “The truth is cruel, but this is a real story. It’s the pain that tears me apart,” she says, saying she is supported by her family and takes care of her physical and mental health.
“I didn’t want to go public with my story, but I hope that at least what happened to me will help women and girls not feel guilty or ashamed of the violence they endure. Giving a child up for adoption is not a crime, it is an act of the greatest caution. I will try to restore myself. And I’m counting on your understanding.”ends.
An influential witness comes at a turbulent time when, especially in the Americas, abortion rights are under threat. In Brazil, the case of an 11-year-old girl who became pregnant after being raped subjected to pressure from the judge andnow – at the time to be investigated – to promote pregnancy has made, in recent weeks, the agenda of newspapers and television. And in the north, in the United States, recent repeal of the constitutional right to abortion the decision, passed by a conservative majority in the Supreme Court, sparked demonstrations across the country and sparked divisions around the world.
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entertainment
RAMMSTEIN @ Estádio da Luz, Lisbon
Announcement
Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.
Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.
We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.
01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye
Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.
The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.
The images in the gallery are from GEORGE BOOTS.
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entertainment
Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell
Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.
It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.
The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.
As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.
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entertainment
After all, Thiago Rodriguez was not beaten. The actor will be left alone – News
Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.
Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.
The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”
However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.
Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.
Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.
Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.
Read also: First images of Thiago Rodriguez after brutal attack
Devoted alcohol maven. Friendly creator. Unapologetic introvert. Certified zombie fanatic.
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