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José Gusman. ″What awaits the Portuguese economy is very serious″

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José Gusman.  ″What awaits the Portuguese economy is very serious″

There is a significant difference between doing politics in the parliament in Lisbon or in the parliament. European?
People’s perceptions of the work done in the European Parliament are different and this makes the importance of the European Parliament and its impact on people’s lives very obvious. Sometimes for good reasons, sometimes for bad reasons, but lately we’ve had examples of both. I think that any MEP has to work harder than national MPs, these are their own communication mechanisms.

Because?
Nowadays, a lot goes through social networks and materials created for networks. Once I was a people’s deputy, but today I invest much more in my own means of communication, as well as in the means of the Blok. Communication with the media in the European Parliament is much more sporadic, although improved. Journalism is a pillar of democracy, and the delivery of information to people largely depends on it. I think there are a lot of things that need to change in the way parliament communicates.

For example?
The website of the parliament and the commission is very poor, it is very difficult to navigate in it for a citizen who, so to speak, does not know the corners of the house. I think there is an opportunity in the institutional communication of Parliament to convey a very unanimous opinion on this. A vision that practically projects the idea that we’re all in agreement here. It is very focused on the decisions of the European Parliament and not on debates, conflicts and disputes.

If someone asks you what you did that had a direct impact on people’s lives, what would you say?
There I talk about all my work in the Committee on Employment and Social Affairs, and the most important reports I worked on were the disability strategy and the European Semester Report on Employment Policy, which focused on things that are in the spotlight in Portugal . . For example, the issue of collective bargaining, the issue of instability, it is very interesting that this report on employment policy, approved by a large majority, contained many of the priorities that led to our disagreement with the PS. In particular, the issue of collective bargaining: I think that the recommendations that were included in the report, even after being approved by the Council, are very different from what was at a certain point the paradigm of the work of the European Union.

Paradigm?
Today there is a slightly different opinion about what labor legislation should be than a few years ago. In fact, at the time, the Commission and Parliament itself put strong pressure on Member States to deregulate their labor markets. This had very negative consequences that we are now seeing, especially in terms of the ability to respond to the surge in inflation that we are seeing. And then there’s the question of care policy in the European Union, because we’re facing an aging population, which puts a lot of pressure in terms of care.

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What is the dispute about?
There is a big political choice between whether we want to build the backbone of the welfare state and robust public services that are responsive and make access to care universal for everyone, regardless of their wallet, or whether we want to build a care industry that is sure to deliver a different quality. caring for people based on their income. The question is whether care will be understood as a universal public service or as a business.

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Portuguese historical films will premiere on 29 December.

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Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets Ptix.bm For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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#History of Bermuda #A photo #Portuguese

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See also  Portuguese conductor Luis Duarte dies - News
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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS ‘There will be room’

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CRISTANO RONALDO CAN MAKE UP A GIANT IN CARIOCA AND PORTUGUESE TECHNICIAN SAYS 'There will be room'

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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