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Spain doesn’t vote for Portugal in Eurovision? We went to do math – Life

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Spain doesn't vote for Portugal in Eurovision?  We went to do math - Life

Any analysis must start from 1964, the year of Portugal’s first participation in the competition. António Calvariu took Horacao to Copenhagen, but in his pocket we brought zero points (zero score will be repeated in 1997 with Celia Lawson’s “Antes do Adeus”). Spain, for its part, had made its debut a few years earlier, in 1961, at Cannes.

It is important to emphasize that this analysis concerns only the voting in the final. As of 2003, given the increase in the number of competing nations, qualification to the final is guaranteed after two semi-finals. Portugal failed to guarantee a ticket nine times (from 2004 to 2007, 2011, 2012, 2014, 2015 and 2019) and has not participated twice since then (2013 and 2016). Spain is part of the so-called “Big Five” (“Big Four” between 2004 and 2010), a group of countries which, thanks to their (monetary) contribution to the Festival’s organizing body, the European Broadcasting Union (EBU), has a guaranteed place in the final .

0 points goes to…

Between 1964 and 2022, Portugal did not vote for Spanish songs 21 times, and Spain “zeroed” Portuguese songs 19 times (most recently this Saturday).

There are even two time slots where Spain simply ignored Portugal when it came to scoring. Between 1980 and 1982 and between 1994 and 1997. On the other side of the border, how to say, no tailwind, no glasses?

In seven cases, in situations where they could vote for each other (for example, both in the final), two countries chose not to do so (1965, 1976, 1077, 1982, 1992, 1994 and 1999).

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How do you vote in Eurovision?

Each country’s televote is 50% of the total score; the remaining 50% is left to the discretion of music industry experts selected by the respective country.

Each panel of judges from the participating countries awards points (from one to eight points, then ten and 12 points for the top two), and during the final, a representative of each country announces the scores. “Insert country name”, double dots…”, remember the phrase?

But it was not always so. There have been many different voting systems over the years.

  • The account has evolved. In 1964 the jury awarded only 5, 3 and 1 points. Years later, in 1967, voting already ranged from 1 to 10 points. The model we know today, 1 to 12, did not come into effect until 1975.
  • Televoting began to be used in some countries only in 1997. The following year and until 2000, jury voting disappeared and telephone voting became the only voting model.
  • It was only in 2009 that the 50/50% model (televoting/jury) was adopted. The National Jury returns and consists of five professionals from the music world who evaluate the performance of each of the countries except their own. Among the evaluation criteria are the singer’s vocal abilities, stage performance, song composition, originality of the song and acting.
  • The voting model as we know it goes into effect in 2016. In the case of televoting, although each country also assigns points on the same scale as the jury, the votes of all countries are added together. Thus, the total number of votes assigned by the public to the song is known, without distinction of the points awarded by each country.
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Of those cases where Spain gave Portugal zero points, there are those that can “fall” worse. As in the case of the lack of points in the year of José Cid (“Um grande, grande amor”, 1980), das Doce (“Bem Bom”, 1982) or Lucia Moniz (“O meu Coração não tem cor”, 1996, who had the best result before the victory of Salvador Sobral, 6th place).

But, on the contrary, there are things that are difficult to explain. Just like in 1979 when Spain finished second, 9 points behind Israel’s winning song. If Portugal had given 10 points (rather than zero) to “Su canción” Betty Missiego, Spain would have won this year.

And the highest score goes to…

In terms of maximum score, Portugal gave Spain 12 first places, while our neighbors awarded us maximum points only six times (Lusitana Paixão, Dulce Pontes, in 1991, is one such case).

In Spain’s two Eurovision victories in 1968 and 1969, Portugal contributed to this result by assigning maximum points to the Spanish themes of those editions.

Since 2010 alone, Portugal have given Spain 12 points five times (but also not given them a single point in three editions).

During the same period, Spain only had the opportunity to vote for Portugal five times, of which we qualified for the final, twice with 0 points and once with the highest score (12 points for “Love for Two”).

If many people were pissed off by the difference between the 12 points / 0 points awarded in this latest edition that gave Ukraine victory, because know this is not the first time this has happened.

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In 2018, when Portugal hosted Eurovision for the first time, we already got 12 points for the Spanish theme “Tu canción” by Alfred Garcia and Amaya Romero. In response, “O Jardim”, performed by Claudia Pascoal, received zero points (and finished last in the classification).

As for televoting, the values ​​of which have become known since 2016, the trend is slightly different. In 2017, the popular vote in Spain gave Portugal the maximum score (“Amar Pelos Dois”), and we returned it with zero points. In 2021, we gave our neighbors a handful of nothing and got only one point in return.

In 2022, the national televote followed the same trend as the Portuguese jury and awarded 10 points to “SloMo” by Chanel. The popular vote in Spain was more generous than the expert jury and gave “Saudade, Saudade” Maro four points.

The Kalush Orchestra became the winner of Eurovision this year. OUR the public vote was decisive and the topic “Stefania”, representing Ukraine, is the second most highlighted topic (the list headed by Salvador Sobral). The Spanish jury did not evaluate the Ukrainian theme, while the Portuguese jury awarded it 8 points. The televoting of both countries gave Ukraine the maximum score: 12 points.

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RAMMSTEIN @ Estádio da Luz, Lisbon

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Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell

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Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News

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After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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