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Portuguese Artist Depicts Childhood Drama in Correctional Facility – 10/15/2021 – Illustrated



Portuguese Artist Depicts Childhood Drama in Correctional Facility - 10/15/2021 - Illustrated

“There is no more love, affection and freedom behind this door.” This is how Pinho determined the time of his imprisonment in Portugal. He was six years old when he was first admitted to a correctional facility, and he went through other institutions until he managed to get out, at age 14.

Pinho, who lived between 1927 and 1993, was José Joaquim de Almeida, a Portuguese from Vila Nova de Gaia who, decades after hospitalization, became an artist and depicted his memories of the time in oil paintings and charcoal prints.

Twenty of his paintings have made it into a dossier titled “The Fate of a Boy on the Street” in the Historical Archives of the General Directorate of Reintegration and Prison Service, DGRSP, Lisbon Penitentiary, a 19th century building that collects thousands of documents about Portuguese prisons.

The paintings depict bars, guards, barefoot people with shaved heads and haggard bodies in blue. Looking closely, you can see that in fact these are not ordinary prisoners, adults, but children carrying crayons in their uniforms pocket.

An unsigned text was attached to the paintings. “Those who have lived their childhood within the walls are always on the run, always alone in the crowd,” says one passage.

Upon discovering the works, Brazilian historian Vivian Borges was fascinated by the brightness of the images and the mystery given the lack of information about the author. It was February 12, 2019, his first day of doctoral studies in Portugal.

“The screens seemed to be trying to tell a story, they were pointing to a revelation, an attempt to attract attention or even shock the observer,” says Borges, a professor at Santa Catarina State University, who published Pinho in November, ”Published by Manicómio in Portugal under supported by the Santa Catarina State Foundation for Research and Innovation, with free distribution to museums and universities.

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“Pinho was an empathetic artist who had several monsters within him. Painting helped him not only to bring beauty into his life, but also to erase what tormented him, ”says she, a specialist in prison history.

Reformation, says the historian, was the lot of children who lived on the streets either because they were abandoned or because they got there because of social situations. Pinho was not abandoned, but hospitalized due to the condition of his mother, a young unmarried woman who was facing financial difficulties. One of the pictures shows their parting at the gate.

The boy went through institutions such as the Colégio dos Carvalhos and Tutoria de Menores in Porto and the Reformatório de Santa Clara in Vila do Conde – there is no information about his records or photographs at the time. He never met his father, but learned from letters from his mother that he was living in the United States and chose his last name, Pinho, as his artistic name.

Borges had in his hand the signature “Pinho” and the dates of the paintings, but nothing more. Archivists pulled out an email from 2014 when the paintings were cataloged at DGRSP, in which a Portuguese woman asked permission from her elderly father, Antonio Fernando, to familiarize herself with the art of Pinho, with whom she lived in a correctional facility. The visit never took place, but the email was an important clue.

The historian wrote to the author of the message and arranged a trip to the city of Porto. At the meeting, he saw a short catalog of Pinho’s paintings, which indicated the address of the studio. She wrote a letter and got a call. It was Pinho’s widow, Henriquet.

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“I remember how she told me that he was a born artist. “It was addiction. He had to paint, he had to paint, ”says a researcher who visited the house where the widow had lived since the 1960s and which had a workshop in an old basement, something like a basement.

“The place remains as he left it, dona Henriqueta does not take out the brushes, paints, straw hat hanging next to the easel, and the last unfinished canvas.”

Borges is part of the Marginal Archives team, which researches and works to scientifically disseminate isolation-related collections in an effort to shed light on the experiences of forced prisoners, lepers and mental hospitals.

Within this area of ​​research, Pinho’s paintings are considered “difficult memories,” that is, they refer to dark memories “associated with a story that a person consciously or unconsciously chooses not to remember,” he says.

However, after interviewing the artist’s family and friends, the author was able to find a happy person who commented on his traumatic childhood without any problems.

After reforming the school, Pinho received a scholarship to an art school, worked with screen printing, became a successful professional, got married and had children. In the 1980s and 1990s, he painted paintings that became part of the Portuguese prison legacy.

While living in Portugal, Borges became acquainted with the Lisbon Manicómio Gallery, dedicated to artists who worked in prisons. “I admire the idea of ​​encouraging unknown artists whose lives have been crossed by institutional experiences,” she says, who befriended the house’s founder, Sandro Resende.

Manikomio was responsible for the graphic design of Pinho’s book and will print the title for free in Portugal. In addition to being a gallery, the house is an art studio and design agency that took off at the height of the pandemic and is set to become a radio and magazine.

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The title is a direct provocation to the stigma of insanity. “This is the place where art elevates creative minds, this is a space where there is no stigma,” defines Resende, the founder of this place.

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Portuguese surfer to stop competing due to mental health issues



Portuguese surfer to stop competing due to mental health issues

O Surfer Vasco Ribeiro announced this Friday that he will not compete for some time. The athlete justified the decision with his own mental health.

Via social media, Vasco Ribeiro admitted that he had a tiring year when he was forced to seek help.

“I started competing when I was only nine years old and in the first race I started winning. In my career, everything happened very quickly, intensively and successfully, ”he began.

The athlete spoke about the exactingness to the result, which puts pressure on any athlete.

“As long as we’re winning, everything seems easy and we often don’t realize how difficult the life of a high-performing athlete is. one more to manage. I had little desire to do what matters most to me and so it was time to seek professional help to be able one day to fight for my dreams again,” he wrote.

“I decided that the most important thing right now is to focus and invest time in my mental health, because everything else starts with it: stability, family, friends, results, etc. This is my commitment and I have two beautiful daughters , which are my biggest drive and motivation for this new phase,” he added.

Vasco Ribeiro, aged 27, was national champion in various categories, European champion and junior world champion in surfing.

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Daymé Arocena launches samba in Portuguese produced by Kassin



Daymé Arocena

Daymé Arocena – Dancing and flying

The highlight of the new Cuban afro-jazz scene, singer-songwriter Daimyo of the Arocene dives into samba for the first time with a single entirely in Portuguese. “Dance and Fly” about freedom through art and produced Bag. This is the release from brownswood records.

Listen to “Dance and Fly”:

Watch the viewer “Dance and fly”:

Inspired by the desire to get closer to people during self-isolation, the song became a source of complete joy for the artist. “Dance and Fly” gave me the energy to be happy again, to be positive again, and I will always be grateful for this song. To be able to have this element to cleanse my soul of sadness, because music is like that, music has such power.”says the artist.

Produced between Puerto Rico and Rio de Janeiro, the composition Arocena learned from Cassin, one of the top Brazilian music producers of recent decades, who immersed himself in a samba ballad inspired by artists such as Javan, Lueji Moon, Ed Motta e Gal Costa. The group was formed by Kasin on bass along with great musicians: Danilo Andrade (keyboards), David Moraes (guitar), Alexander Siqueira (drums) and Daniel Conceicao (drums).

With four studio albums in his solo career, Daime, despite being only 30 years old, has already established himself as one of the main names of new Latin American jazz, using his music as an expression of his roots, faith and soul. Currently living in Puerto Rico and inspired by the Caribbean culture, the artist is preparing new releases.

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“The Portuguese real estate market is still very fragmented, complex and offline,” says Casavo VP Investment.



“The Portuguese real estate market is still very fragmented, complex and offline,” says Casavo VP Investment.

The real estate market is constantly changing, with increasingly demanding clients and an increasingly limited supply. New technologies have become indispensable tools for companies to use them to grow in this market, which, according to Duarte Ferreira dos Santos, vice president of investment in Lisbon at Casavo, “still remains very fragmented, complex and autonomous” .

In an interview with Executive Digest, Duarte Ferreira dos Santos believes that despite the momentum that the pandemic has given to the digitization of the real estate sector, the real estate industry is still characterized by traditional, autonomous and very dependent on bureaucratic and physical processes. In his opinion, the technological solutions that have emerged in recent years allow streamlining processes, making the real estate market faster, simpler and more uncomplicated, and improving the experience of all stakeholders, whether they are buyers, sellers, landlords, tenants or even real estate agents.

Portuguese real estate market.

“The Portuguese housing market, especially in the Lisbon metropolitan area, has an interesting transactional dimension as a result of the cultural preference to buy a house rather than rent it. In addition, the housing stock in the capital is very old and obsolete, the vast majority of houses were built before the 1980s,” he explains.

To respond to an aging supply, by renovating the houses that Casavo buys, they contribute to refurbishing old buildings in the city and making them more energy efficient.

“The Portuguese real estate market, like other markets in Southern Europe, continues to be very fragmented, complex and autonomous, despite the fact that the pandemic has accelerated the change in customer behavior towards the adoption of a digital channel.” Duarte Ferreira dos Santos believes that much remains to be done in this aspect, namely in the introduction of digital tools to make the market more transparent and improve interaction with buyers and sellers.

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400 million euros for business scaling

Casavo recently raised a new €400 million investment round, which includes a €100 million Series D round and a €300 million credit line.

“The total amount raised by Casavo will be used to scale the business and strengthen its leadership in Europe. This combination of equity and debt is a recognition of our strong growth and investor confidence in our long-term vision. This round will allow us to strengthen our leadership in Europe by growing in markets we already operate in, namely Portugal, Spain and Italy, as well as expanding into new markets where France is a priority.”

A tool that allows you to instantly evaluate real estate

In this context, the VP of Investment explains that Casavo provides a tool that allows sellers to instantly value their property. “Casavo can submit an offer in 48 hours and complete a purchase in a matter of days in a single visit… Through the use of a proprietary algorithm, Casavo ensures that the submitted offer is fair and based on objective criteria.”

On the other hand, for those who want to buy a house, Casavo presents a portfolio of ready-to-live-in properties with high energy efficiency and modern and attractive design, which can be found on the platform and viewed remotely using immersive technology. .

The future of the real estate market in Portugal

Looking to the future, Duarte Ferreira dos Santos believes that “due to the lack of supply of new construction and the high demand caused by the needs of families after the pandemic, we do not expect the market for refurbished homes to be significantly affected by the situation we are facing, especially in homes , prices for which correspond to the income of the Portuguese.

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However, he sees a slowdown that could be due not only to the rise in the cost of living for families associated with the current geopolitical context, but also to the increase in Euribor rates and the new rules that the Bank of Portugal has applied to housing. loans, which can contribute to an increase in the burden of households.

“In our view, it will be increasingly important to refurbish used homes that are outdated and dated to meet the needs of families,” he concludes.

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