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Unofficial Template – PM AL – Portuguese



Dear Students,

Here are my comments from the test Portuguese language PM AL.

We will wait for the publication of the official review from the organizer and, if there are significant discrepancies, we will offer the appropriate resources.

Strong hugs and success!

Jose Maria

Professor Jose Maria
Instagram: @professorjosemaria
– Telegram:
– YouTube: / Professorjosemaria

01) It can be seen from the text that the sculptures of the master Irenaea represent a type of narrative that represents and preserves the memory of her community.

Informal Template: RIGHT

This can be done by reading the first paragraph, which reads: “… among other sculptures that tell through clay mold, historical episodes, struggles and achievements experienced by the inhabitants of their community and Quilombo de Quilombo. Palmares “.

02) From the information contained in the 5th paragraph of the text, it is concluded that Mestra Irenaea was making sculptures even before he received an order to sculpt body parts of devotees.

Unofficial Template: WRONG

According to the text, before there was a request to sculpt body parts for devotees, Irenaea produced clay pots to support the family. Thus, the text does not allow us to say that she has already created sculptures.

03) According to the text, the more orders dona Irenéa received, the more creative and inventive she became.

Informal Template: RIGHT

This is evidenced by the following passage: “The number of orders increased, and with it their imagination and creativity …”.

04) The information provided in the text allows us to conclude that the only public services provided to the Muquém community are health and education.

Unofficial Template: WRONG

This is an extrapolation. While claiming that there is a medical center and a school in Mukem, one cannot conclude that there are only government services in the field of education and health. There may be other services not mentioned in the text.

05) According to the text, the production of ceramics in Mukem is an activity accessible only to women.

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Informal Template: WRONG

The last paragraph literally says: “… working with clay also fills the time of many women and some men …”.

06) The penultimate paragraph of the text informs that the woman with the headache achieved the expected grace even before Irenaeus finished the commissioned sculpture of the head.

Unofficial Template: WRONG

The text implies that grace was achieved after the lady paid the promise. Thus, the sculpture was ready and delivered before treatment.

07) In the first sentence of the last paragraph of the text, the word “where” refers to “flour house”.

Informal Template: RIGHT

Right! It was a flour house where women gathered to grind cassava.

08) Keeping the grammatical correctness of the text and the information conveyed in it, the passage “what made dona Irenéa even more famous in the region” could be rewritten as follows: “and this made donna Irenéa even more famous in the region”.

Informal Template: RIGHT

Right! The anaphoric “it” continues the content of the previous sentence. In addition, it is allowed to use a comma before “and”, since this connection connects two sentences of different subjects.

09) In “Jackfruit became an object of memory”, the transition from the pronoun form “if” to after the verb form “became” – writing “became” – will harm the grammatical correctness of the text.

Unofficial Template: WRONG

There is nothing convincing about using proclisis or enclisis. The use of one or the other preserves grammatical correctness.

10) The use of commas immediately after the “About twenty” and “Before one day” passages is justified by the same punctuation rule.

Informal Template: RIGHT

These are tense adverbs, ousted from direct order.

11) In the section “Processing of raw material is carried out by removing clay, which is then trampled, kneaded and molded”, replacing the phrase “it is trampled, kneaded and molded” to “it is trampled, kneaded and molded.” “will preserve the grammatical correctness of the text.

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Informal Template: RIGHT

Right! It has been transformed from an analytical passive voice without a deterministic agent to a synthetic passive.

12) As for its typology, it is correct to say that the text belongs to the category of reasoned ones.

Unofficial Template: WRONG

There is no point of view defense in the text.
We have stated facts and information that characterize descriptive and narrative typologies.

13) In the passage “The village belongs to the municipality of União dos Palmares”, the term “village” is in addition to the word form “belongs”, which is deduced from the fact that he is a patient in the state. conveyed by the verb of prayer.

Unofficial Template: WRONG

The term “village” plays the role of a subject in the verbal form “belongs”.

14) The use of an accent in the words “number” and “ceramics” is justified on the basis of the same accentuation rule.

Informal Template: RIGHT

These are proparoxytone words.

15) The subject of the prayer, initiated by the verb form “He has arrived”, is the prayer “She went to dona Irenaea”.

Unofficial Template: WRONG

The subject of the verb “arrived” is mentioned in the previous sentence and refers to the fact that she has become famous. This caught the attention of SEBRAE.

16) From the use of the word “single”, it can be concluded that from some of the objects made by Dona Irenaea, only one work was produced.

Informal Template: RIGHT

Right! The text suggests that dona Irenéa created various sculptures with special features. These are unique sculptures, that is, they are not alike.

17) This could damage the original meaning of the text while maintaining its grammatical correctness, deleting the article “a” in the word “all night” in the passage “she and her three sisters spent the whole night in a tree.”

Informal Template: RIGHT

Right! The expression “all night” means “all night”. The expression “every night” means “any night.”

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18) In the first sentence of the third paragraph, replacing the word “processing” with “processing” will preserve the meaning and grammatical correctness of the text.

Informal Template: RIGHT

Both words have their contextual meaning associated with hand work. Hence, they are synonymous.

19) In the last sentence of the second paragraph, the term “which” refers to “flood”.

Informal Template: RIGHT

Right! What happened happened during the flood.

20) It follows from the poem that the lyrical “I” found a way to restore the moments of his childhood.

Unofficial Template: WRONG

The lyrical self claims that although he tries, he cannot save the moments of his childhood lost in the “abyss” of time.

21) In the passage “the remnants of my happy childhood” the term “remnants” has the meaning of “traces”.

Informal Template: RIGHT

Yes, both words in context refer to clues that can lead the lyrical self to the child’s past.

22) In the “naive phase of children,” the term “naive” is used in the same sense as “fool”.

Unofficial Template: WRONG

Although in many situations the words are used synonymously, there is a difference in context: “naive” is associated with purity, sincerity, and “fool” – with “stupid”, “stupid”.

23) The term “yours” in the last verse of the poem refers to “my happy childhood”, that is, the phrase “in your abyss” means “in the abyss of my happy childhood”.

Unofficial Template: WRONG

The pronoun “your” takes “years”. The expression “in your abyss” refers to the abyss of years, to the long past of childhood.

24) In “I Desperately Try to Find My Lost Purity in the Naive Face of Children,” the term “desperate” qualifies the word “purity,” indicating that purity is portrayed in the poem as an object of disappointment.

Unofficial Template: WRONG

The adjective “desperate” characterizes the lyrical “I”.

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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