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Portuguese Antnio Zambujo sets record in honor of Ju Hilberto



Musical influences also include Cayetano Veloso and Gal Costa (Photo: Rita Carmo / Divulgao).

Antonio Zambujo has never hidden his admiration for Brazilian popular music. Like everyone who is in love with MPB, the Portuguese singer and composer has a master, the philosopher’s stone, to understand our cultural wealth so precious in the world: João Gilberto. It is to confirm this influence and pay homage to Bahia’s genius that Zambujo has just released an album. Voice and guitar

In this interview, 45-year-old Zambujo talks about her new job, her experience of imprisonment due to the pandemic, and the rescheduling of her tour to Brazil, which was scheduled for 2020 and has been postponed to 2022.

While Portugal is breaking vaccination records and gradually resuming social and cultural life, Zambujo comments on whether the world will get better or worse after the pandemic: “What is good remains good, what is bad will continue … … “, – the message says. “I have a feeling that the balance is always very balanced, the percentage of good and evil is always very close. We will have to keep fighting and condemning what is wrong, in the hope that things can change. “

Why is the link to João Gilberto’s 2000 album?

My connection with Brazilian music began through João Gilberto, it was through him that I met other performers and authors. This was the last recording he made and I really love his incredible ability to reinvent songs. Has a version Enough nostalgia completely different from the original. It is also a recording that was recorded without much concern for producing, a live recording, a live recording on tape that he left in the studio and he played, which I also wanted to do on my record. So it was a little bit because of that, and also because I decided to honor his memory.

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You recorded the Cayetano song, Like two and two, other, You liked me, which does not belong to him, but is also part of Cayetano’s repertoire …

I arrived at You liked me for a very intimate version of Chavela Vargas, I fell in love. Of course, I also know the version of Cayetano, because I know everything about him. But my version, despite being more inspired by Chavela Vargas, ended up being closer to Cayetano’s version because it is more dynamic. ABOUT Two and twoI was invited to participate in the Gal Costa album, I was very surprised and missed it. There is an album Gal, there is a version of this song, I don’t remember …

Is not Fa-Tal – Gal at full speed

Yes, this is it, this is it. So listen, I joined Caetano with Gal and the song got me hooked, I decided to record it.

Your new album is doing well in Portugal. What do you expect from Brazil, where you made excellent predictions?

This means being able to play in Brazil. Nowadays, the entry serves as a calling card, an opportunity to show something new that justifies it, which allows you to be summoned to the showroom, which allows you to return to Brazil the way I want. Of course, at first I hope people like the record.

How is cultural life in Portugal with the pandemic developing?

It reopened in early May with restrictions. Only 50% of the capacity in the rooms, the distance between the chairs is two meters.

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In Portugal, there were times of severe restrictions on the movement of people. How did you get through this period? Did this affect your work?

Not with anything. I was completely stopped, without any motivation, I did nothing. During my imprisonment, I wrote two songs that were commissioned by brands for advertising, which I have never done in my life. I do not have the habit of sitting at home, watching what is happening in the world, not being indifferent to it and taking a guitar to compose, I could not do this.

Overall, how is your creative process going?

He has no routine. I am anywhere, the melody comes, I record it on my mobile phone, and then I will develop this idea. I also have many partnerships, there are no rules.

The Portuguese music scene is having an interesting moment, perhaps even more so than Brazil in terms of popular music. Do you agree?

When Rodrigo Amarante releases a new album, he is already good (scene in Brazil). In connection with the closure of the pandemic, a lot is emerging. People were waiting for the opening of theaters to present their records. There are several genres here, you in Brazil know little about another Portuguese music genre that is not related to the fado tradition. But there are very interesting things related to indie, rock, and most of them are sung in Portuguese, although there are some translators who sing and write in English …

Like Eliza Rodriguez …

Yes, Eliza, and there is a very interesting band called Black Mamba. There are many good things, but in Brazil I also believe in that.

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What do you think the world will be like after the pandemic? What do you think about the resumption of work in Portugal?

What is good will remain good, and what is bad will continue for a long time … I don’t think it will change much. Humanity, as has already been proven in this pandemic, is capable of doing better and worse. I have a feeling that the balance is always very balanced, the percentage of good and evil is always very close. We will have to keep fighting and condemning what is wrong, in the hope that things can change.

How do you expect to return to Brazil?

We had a tour planned for 2020, which then extended to 2021 and will now take place in 2022.

How is the vaccination going?

Slowly but moving forward. Well, the tour was for January and February 2022.

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Portuguese historical films will premiere on 29 December.



Portuguese historical films will premiere on 29 December.

Method Media Bermuda will present the documentary FABRIC: Portuguese History in Bermuda on Thursday, December 29 at the Underwater Research Institute of Bermuda.

A spokesperson said: “Method Media is proud to bring Bermuda Fabric: Portugal History to Bermuda for its 5th and 6th showing at the Bermuda Underwater Observatory. In November and December 2019, Cloth: A Portuguese Story in Bermuda had four sold-out screenings. Now that Bermuda has reopened after the pandemic, it’s time to bring the film back for at least two screenings.

“There are tickets For $ 20 – sessions at 15:30 and 18:00. Both screenings will be followed by a short Q&A session.

Director and producer Milton Raboso says, “FABRIC is a definitive account of the Portuguese community in Bermuda and its 151 years of history, but it also places Bermuda, Acors and Portugal in the world history and the events that have fueled those 151 years.

“It took more than 10 years to implement FABRIC. The film was supported by the Minister of Culture, the Government of the Azores and private donors.

Bermuda Media Method [MMB] Created in 2011 by producer Milton Raposo. MMB has created content for a wide range of clients: Bermuda’s new hospital renovation, reinsurance, travel campaigns, international sports and more. MMB pays special attention to artistic, cultural and historical content.

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Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.



Maestro de Braga is the first Portuguese in the National Symphony Orchestra of Cuba.

Maestro Filipe Cunha, Artistic Director of the Philharmonic Orchestra of Braga, has been invited to conduct the Cuban National Symphony Orchestra, as announced today.

According to a statement sent by O MINHO, “he will be the first Portuguese conductor to conduct this orchestra in its entire history.”

In addition to this orchestra, the maestro will also work with the Lyceo Mozarteum de la Habana Symphony Orchestra.

The concerts will take place on 4 and 12 March 2023 at the National Theater of Cuba in Havana.

In the words of the maestro, quoted in the statement, “these will be very beautiful concerts with difficult but very complex pieces” and therefore he feels “very motivated”.

From the very beginning, Rachmaninoff’s Piano Concerto No. 2 will be performed by an Italian pianist (Luigi Borzillo), whom the maestro wants to bring to Portugal later this year. In the same concert, Mendelshon’s First Symphony will be performed.

Then, at the second concert, in the company of the Mexican clarinetist Angel Zedillo, he will perform the Louis Sfora Concerto No. 2. In this concert, the maestro also conducts Tchaikovsky’s Fifth Symphony.

“This is an international recognition of my work. An invitation that I accept with humility and great responsibility. I was surprised to learn that I would be the first Portuguese member of the Cuban National Symphony Orchestra. This is a very great honor,” the maestro said in a statement.

“I take with me the name of the city of Braga and Portugal with all the responsibility that goes with it, and I hope to do a good job there, leaving a good image and putting on great concerts. These will be very special concerts because, in addition to performing pieces that I love, especially Rachmaninov and Tchaikovsky, I will be directing two wonderful soloists who are also my friends. It will be very beautiful,” concludes Filipe Cunha.

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