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Light, fire, angel, devil and many dances: the first finalists of the Eurovision festival are selected – Show business



Light, fire, angel, devil and many dances: the first finalists of the Eurovision festival are selected - Show business

Norway, Israel, Russia, Azerbaijan, Malta, Lithuania, Cyprus, Sweden, Belgium and Ukraine have all won the Eurovision Song Contest final on Tuesday 18 May in the first semi-final of the 65th Contest.

At the ceremony, the finalists were announced at random. Slovenia, Australia, North Macedonia, Ireland, Croatia and Romania also played in the first semi-final but failed to win a seat in the final scheduled for Saturday 22 May.

The results of the semi-final are composed of the votes of the jury and the audience. The organization recalls that the televoting took place during the live broadcast, and the jury voted during the second rehearsal, which took place on Monday, May 17.

The 16 nations that played on Tuesday, as well as Germany, Italy and the Netherlands, are back in the first semi-final. The 10 finalists will join the Big Five and the Netherlands in Saturday’s Grand Final.

The Netherlands got the right to organize Eurovision after winning the 2019 competition in Israel with the theme “Arcade” performed by Duncan Lawrence – remember SAPO Mag’s interview with the artist here. The 65th competition, which has been held annually in Europe since 1956, was supposed to take place last May in Rotterdam, but the European Broadcasting Union, given that the conditions for its holding were not met due to the COVID-19 pandemic, decided to postpone for one year.

Although 39 countries participate in the 65th Eurovision Song Contest, only 33 participate in the semifinals (16 in the first and 17 in the second). The other six countries – the so-called “big five” (France, Germany, Italy, Spain and the UK) and the host country (the Netherlands) – guaranteed access to the final.

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Ten countries are selected in each semi-final. Portugal will fight on Thursday for a place in the final in the second semi-final.

Eurovision returns: performances from the first semi-final

“Eurovision is back,” the announcer said at the start of the ceremony, recalling that Duncan Lawrence was the winner of the last Eurovision Song Contest. The singer, representing the Netherlands in 2019, was set to kick off the evening with his new single.

There was a special cameo in the opening video: Ines López Gonçalves, Portuguese jury spokesperson for 2019, appeared in a presentation video of Duncan Lawrence’s speech.

“Good night, Europe. Good Morning Australia, ”traditionally hosted by Chantal Janzen, Edsilia Rombly, Ian Smith and Nikki de Jager. “Eurovision brings people together more than ever,” they added, recalling the competition rules in English and French.

Recalling the voting system, the presenters gave the go-ahead for the start of the performances – Lithuania, Slovenia, Russia, Sweden, Australia, North Macedonia, Ireland, Cyprus, Norway, Croatia, Belgium, Israel, Romania competed in the first semifinal. , Azerbaijan, Ukraine and Malta.


1. Lithuania: The Roop – Disco.

The irreverent The Roop, who represents Lithuania this year, was supposed to open the first Eurovision semi-final. On stage, a group in yellow suits presented “Discoteque” – the theme of dancing alone at home.

2. Slovenia: Ana Soklich – Amen

After a party at the disco, Soklich took the stage. A contestant from Slovenia presented the ballad “Amen”.

3. Rusya: Manizha is a Russian woman

And the Russian artist Manizha defended the theme “Russian woman”. On stage, the artist surprised her with a dress that “carried her” and from where she was leaving at the end of the first couplets. As a result, the singer was surrounded by flames.

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Manija said he received several threats on social media. The song “Russian Woman” has been criticized by several conservative groups who believe that the lyrics of this theme expresses hatred of men. “I received threats, for example:“ If you’re going to sing about Russian women like that, we don’t want you to live here, ”he told the BBC.

4. Suécia: Tusse – Voices

The fourth artist to appear on stage was Tuss, who was chosen to represent Sweden in Rotterdam. On stage, the singer performed “Voices”, but his performance disappointed fans.

5. Australia: Montaigne – colorful

There was no participant representing Australia on stage this year. Young Montaigne presented the theme of “Multicolored” from a distance, in a recorded performance and without editing.

6. Macedonia do Norte: Vasil – I stand

North Macedonia with Vasily’s “Here I Stand” became the sixth country to perform. For the performance, the singer placed a bet on the mirror ball effect.

7. Irlanda: Leslie Roy – Maps

Ireland was represented this year by Leslie Roy with Cards. During the performance, the singer walked through paper scripts that created the illusion that she was in the middle of a large forest.

8.Cyprus: Elena Tsagkrinu – Devil

The song parade continued in Cyprus. Surrounded by flames and red lights, Elena Tsagrina presented the theme “El Diablo” and made the audience dance in the Rotterdam arena.

9. Noruega: TIX – Fallen Angel

With a performance reminiscent of Justin Bieber’s “Purpose” tour, Tix from Norway took giant wings on stage to introduce the “Fallen Angel” theme.

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10. Croatia: Albina – Tik-Tak

She was followed by Albina from Croatia, who tried to win over the audience and judges with the theme “Tick-Tock”. Accompanied by four dancers, the artist staked on a performance full of light and visual effects.

11. Bélgica: Hooverphonic – Wrong Place

After the change of vocalist, Hooverphonic entered the stage in 11th place. The group representing Belgium presented the song “The Wrong Place”.

In social networks, the performance was highly appreciated by the audience.

12. Israel: Eden Allen – Free me

Israel became the 12th country to perform in the first semi-final of the Eurovision Song Contest. This year, the country played all its cards with the theme “Free me” performed by Eden Allen.

13.Romania: Roxen – Amnesia

Then the song parade continued with Romania, represented this year by Roxen, who will present the theme “Amnesia” – the country decided to leave the performer who will perform in 2020, but changed the topic.

14.Azerbaijan: Efendi – Mata Hari

Accompanied by four dancers and with a giant golden ball on stage, Efendi brought a bit of Azerbaijani tradition to the theme of Mata Hari.

15.Ukraine: Go_A – Noise

Then comes Go_A from Ukraine, who decided to bet on “Noise”, a theme that combines folk, electronics, world music and pop.

16. Malta: Destiny Chukunyere – Je Me Casse

They say that the latter are the first, and Destiny (Malta) with the theme “Je Me Casse” is one of the favorites to win. The singer had a mission to close the ceremony.

To the second semi-final

Second semi-final “data-title =” Second semi-final – Light, fire, angel, devil and many dances: the first finalists of the Eurovision festival have already been selected – SAPO Mag “”>

In addition to Portugal, San Marino, Estonia, Czech Republic, Greece, Austria, Poland, Moldova, Iceland, Serbia, Georgia, Albania, Bulgaria, Finland, Latvia, Switzerland and Denmark are participating in the second semi-final.

The two semi-finals and the final will be watched live, and the organization is selling 3,500 tickets to the show this month. In addition, according to information available on the official website of the Eurovision Song Contest, the Dutch government has allowed the organization to hold six rehearsals as well.

This year, “all delegations, artists and production team are following strict protocol and will not be in contact with members of the public.”

With “Love is on my side” Portugal is hosting Eurovision for the first time, a song entirely in English written by Tatanka, the lead singer of The Black Mamba.

Tatanka is one of the founders of The Black Mamba, a band founded in 2010 that moves in the universe of blues, soul and funk.

In parallel with The Black Mamba, Tatanka began his solo career in 2016, “having a more personal album and going back to his roots, telling stories and presenting original themes in Portuguese.” The debut album “Pequeno Barulho” was released in 2019.

Portugal entered the Eurovision Song Contest for the first time in 1964, but missed five episodes (1970, 2000, 2002, 2013 and 2016).

From 2004 to 2007 inclusive, as well as in 2011, 2012, 2014, 2015 and 2019, Portugal did not reach the final.

Portugal won the competition for the first time in 2017 with the theme “To Love Both” sung by Salvador Sobral and written by Luisa Sobral. After winning the following year, Lisbon hosted the competition.

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RAMMSTEIN @ Estádio da Luz, Lisbon




Four years have passed since Stadium tour belonging RAMMSTEIN started in Germany. Much more since the itinerary was originally announced, and given the pandemic, it has been just under 365 days since tickets for the Portugal concert went on sale. However, after such a long wait for the return of the German band to the national soil, the day finally came when the titans of industrial metal honored us with their presence again. It was the stadium debut of a band that first visited us with two performances in 1998 at Paradise Garage and Hard Club and the national audience saw it grow step by step. Despite the absence we’ve been left with for the past decade (the last show here dates back to 2013 at the then Pavilhão Atlântico), the arrival of the Germans turned Lisbon into a black sea. In fact, a simple trip to the supermarket in the morning would be enough to realize that people from all over the country (and not only) have gathered there, the Portuguese almost all with backpacks on their backs, converging to host a group that is about to celebrate three decades careers. According to some, recent accusations that Till Lindemannthe band’s lead singer, has become the subject of much conversation on social media and the media in recent months – a story unfortunately repeated in the entertainment world.

Let’s face it, it was the national date for the third route Stadium tour on the Old Continent RAMMSTEIN arrived in Portugal in disgrace rather than grace. Even so, the metro ride to Estádio da Luz was electrifying. Inside, we were greeted by a sea of ​​people all along the useful perimeter, with bars packed to capacity and a cool breeze that began to rise in the late afternoon, chasing away any shadow of a potential stadium elephant. Whether you think about it or not, or realize that the future seems increasingly uncertain for the band (or for the band with Till), the truth is that everything is set to welcome you with open arms. You can understand why if you look ahead. A gigantic stage dominates the stadium with several towers dotted across the lawn. Up there, the gray sky is preparing to receive all the explosives that will be detonated all night. Let’s face it, it’s not every day that we go to a show where we have to spend a few very long minutes to even grasp the size and scope of everything that lies ahead of us. And yes, even though the lineup had been circulating widely since the start of the tour, expectations were still high for it. performance in itself. But let’s start because this scene is really impressive; built to recreate an impressive dystopian cityscape that could very well have emerged straight from the classic silent “Megapolis”from Fritz Lang, which is easily confused with the futuristic structure of the current SLB home. Result with the French ABELAR playing piano versions of the classic headliners (on a dais at midfield left), it was just right for a band with such a penchant for imposing, dramatic gestures to shine in all their glory.

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We could try to distort the text as much as we like, and at times it may even seem pointless to write about a show of force like that RAMMSTEIN. They are a HUGE, fiery band when needed; the choreography is thought out to the smallest detail – and, in truth, they have set the standard for what a great concert can be over the past two decades. with every tour becoming even larger and more imposing than the previous one, by this time nothing will allow them to give anything but an exceptional concert. Despite the restrictions, this unmissable event of the year also proved to be no exception to this rule, and once again the idea that no one represents a live show like these people was strengthened. The main export of German metal became famous for two reasons; they cause more explosions than a fireworks factory fire and play music at such a volume that it can often be heard 17 kilometers from where they play. Well, the same thing happened here, with a powerful and loud sound (perhaps too low in the place where we were present at the concert), well supported by sound towers strategically placed so that everyone can hear everything in loud and clear sound. . With the volume pumped up, you could feel the bass rumble through the foundation of the stadium. Taken into account: nothing much has changed on the stage since we last saw them, but everything has gotten bigger, much bigger.

01. ram song | 02. Links 2-3-4 | 03. Punish me | 04. Poisonous | 05. Yearning | 06. My heart burns | 07. Puppet | 08. angst | 09. Time | 10. Germany | eleven. Radio | 12. my part |13, Do you have | 14. sonne /// Anchor 1 /// 15. Engel | 16. Foreigner | 17. You smell so good | 18. Without you ///Bis 2/// 19. Rammstein | 20. I want | 21. Goodbye

Four minutes late – 9:34 p.m. seems to have been strategically chosen to ensure that the musicians would only take the stage at night – and the stadium went dark. To the sounds “Music for the Royal Fireworks”now made an anthem RAMMSTEIN, the group’s symbol hangs on the screen of the structure’s giant central tower. The stage lights up as we see Lindemann being lowered in the elevator. The first flames appear and RAMMSTEIN start engines, as is known, with the help of “Rama Song”. Cell phones stay in the air, capturing the moment, but bodies move to the sound of always benevolent “Links 2-3-4”with priceless Christian “Doctor Flake” Lorenz to remain unstoppable on the treadmill next to the keyboard, while the audience alternately dances and shakes their heads, lulled by undeniable hooks. Journey into the past withPunish me” e”Yearning“, how in “poisonous” in the middle of the passion subsided a little. This or all approached what he saw. After that there is a feeling “My heart burns” and alivePuppet” they made everyone sing in unison again. For two hours, the sold-out crowd at the Estádio da Luz not only saw the band play some of their greatest hits. It really happened. Played almost all big games hitsA “Germany”A “Do you have”A “My Part”A “Sonne”A “I want” and even the song of the same name, but it was the show itself – performance – which turned out to be completely out of this world.

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The level of pyrotechnics is indescribable: Lindemann wears a wheel on his back, spewing fire in all directions, and the guitarists Paul Landers e Richard Kruspe armed with two huge flamethrowers attached to their guitars and firing huge flames. There are more innocent things like huge guns confetti which envelop the entire stadium with paper tapes. And everywhere there is fire, a lot of fire. At times, heat was felt on the face, anywhere from the lawn to the stands farthest from the main structure, and waves of pyrotechnics lit up not only the stage, but also the four towers that towered above the crowd and left them. dark puffs of smoke hang in the sky. There was literally a feeling that we were among the rubble of some devastated post-futuristic city. Then there were more earthy things, with a small stage arranged in the middle of the hall (slightly to the left of those who are facing the stage), where musicians joined the crowd. ABELAR interpret “Engel”, which opened the first Encore. After that, the band members returned to the main stage in inflatable rubber boats and attacked the luxurious trio, consisting of “Foreigner“,”You smell so good»e«Without you“. in a second bis planned, but still very much in demand) there was still time to listen to “Rammstein“,”I want“and, at the moment of farewell, very appropriate”Goodbye“.

The images in the gallery are from GEORGE BOOTS.

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Exposed. Images Proving Thiago Rodriguez Wasn’t Defeated, He Just Fell



Exposed.  Images Proving Thiago Rodriguez Wasn't Defeated, He Just Fell

Brazilian actor Thiago Rodriguez, 42, was exposed by CCTV footage near the site where he was allegedly attacked and robbed. After all, he had just fallen from the structure on which he was sitting, and hit his head and face on the ground, which led to injuries.🇧🇷 He ended up lying on the floor for about 30 minutes until he was rescued by two people passing by who helped him. The case angered the Brazilians.

Thiago Rodriguez Injured” data-title=”Thiago Rodriguez Injured – Exposed. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”>

It was the Brazilian Civil Police itself that released the CCTV images showing that the thesis defended by the Brazilian actor, who is currently starring in the TVI soap opera Quero É Viver, is not true. Police Chief Bianca Lima confirmed to Record TV’s Domingo Espetacular that the fall was the cause of the actor’s injuries, not the robbers’ aggression.

The images were captured by cameras at a commercial establishment located in Plaza Santos Dumont in Rio de Janeiro, 200 meters from the Jockey Club where Thiago went to party and was expelled from. According to the records, it was 5:40 in the morning when the actor sat on a metal structure, which is located in the square, lost his balance and fell face down on the ground. Only at about 6:10 am he was rescued by two people passing by. However, it is not clear if these people stole the actor’s mobile phone, which has since disappeared, or if Thiago simply lost it in the fall.

The fall of Thiago Rodriguez” data-title=”The fall of Thiago Rodriguez is a revelation. Images Proving Thiago Rodriguez Wasn’t Beaten, He Just Fell – MAGG”> The fall of Thiago Rodriguez

As a result of the fall, the actor received cuts on his head and was even forced to put a few stitches on his head. After that, Thiago went to file a complaint with the police, claiming that he was attacked and robbed by criminals. But that theory didn’t make much sense as the actor still had the wallet and backpack he had that night. “A backpack with things, a wallet and a rope were with him. And we wondered if anyone who goes for such violence would take only a mobile phone,” the police chief explained.

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After all, Thiago Rodriguez was not beaten. The actor will be left alone – News



After all, Thiago Rodriguez was not beaten.  The actor will be left alone - News

Brazilian authorities have denied the story of an alleged attack that allegedly targeted Thiago Rodriguez. The police, agreeing with the video, which is already circulating on social networks, indicate that the actor did fall alone.

Security cameras in buildings near where Thiago Rodriguez was found show him sitting on an iron and falling forward moments later.

The G1 website guarantees that the authorities will suspend the investigation into a possible robbery, given that “the investigation has proven the absence of criminally significant facts.”

However, it is still necessary to understand where the actor’s mobile phone is located. The police, according to the same media, are trying to understand if it was stolen when Thiago was lying on the ground unconscious.

Recall that the 42-year-old artist said that he was robbed at the exit of a bar in Rio de Janeiro.

Thiago Rodriguez is part of the cast of the soap opera Quero É Viver currently airing on TVI.

Watch the video below, published by the Brazilian press, in which you can see the fall of the actor.

Read also: First images of Thiago Rodriguez after brutal attack

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